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We are an opinionated group of friends reviewing all sorts of fantasy and science fiction media. Don’t forget to get to know the curators and visit our curated Collection, where we discuss the stories that never cease to transport us to another world.
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- Novel written by Ursula Le Guin
- Published in 2001
- Part 5 of the Earthsea Cycle

Listened to the audiobook with Jenny Sterlin – well-read.
Usually I am a big fan of shorter form fiction: I love shorter stories that focus on ideas, on showing different sides of a character, or that really build a world.
I think Tales from Earthsea tries to be the latter – the final ‘story’ in the book is even a very explicit reference section on the history and cultures of Earthsea. But perhaps somewhat surprisingly, while I enjoyed Tales from Earthsea fine, I don’t think it added that much to the worldbuilding Le Guin already did in the previous instalments of the series.
I got the feeling that Tales from Earthsea was three or four Earthsea-novels condensed into one book, just with the stories told in fewer words. Usually I am a big fan of efficiently telling stories. In this case, however, I felt like some tales would have benefited from just a little more time to let the characters grow on me. As it was, the stories moved just a little too quickly for me to ever really be invested the way I was in, for example, Tehanu.
I think this is telling on what makes The Earthsea Cycle great for me: it is the characters in emotionally moving stories against a backdrop of interesting but ultimately very simple worldbuilding that draws me in, not the depth or details of Earthsea itself.
Having said all that, Tales from Earthsea does include a number of moving stories and learning about the history of the school of magic on Roke island is lovely. The collection of stories also continues the feminist theme that Le Guin put at the heart of Tehanu.
The honest truth is that while Tales from Earthsea is a fine book, it felt a bit like a stepping stone between Tehanu and the The Other Wind for me, a quick stop in between the rest of The Earthsea Cycle that Le Guin almost seems to have written for herself more than for the reader.
Still, armed with the knowledge that I have now, I am more than curious to dig into the final instalment of the Cycle, and learn about the final episode in Ged’s and Tenar’s life!
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- Novel written and illustrated by Raoul Deleo
- Published in 2021

Sometimes children’s literature can be works of art, literally. If you ask me, Terra Ultima: The Discovery of a Hidden Continent is a clear example of this. It’s challenging to explain the charm of this book, without risking completely spoiling it. To still reveal something of the premise: Terra Ultima presents itself as a reflection on a few scientific expeditions towards an unknown continent full of wonderful new creatures. We view these expeditions through the eyes of biologist Noah J. Stern, who has compiled the notes and zoological illustrations of fellow scientist and world explorer Raoul Deleo. The result is a truly unique book with stunning, fantastical illustrations and a narrative that transported me back to more mysterious times in which we humans had yet to categorize the majority of our world’s species.
Apart from the imaginative illustrations – I can’t stress enough how cool these are – Terra Ultima consists of writing that neatly balances between pseudo-scientific, humorous and accessible language. Where children might read this book and enjoy a (semi-)realistic adventure story, “grown-ups” can entertain themselves with the numerous little jokes hidden throughout the binomial nomenclature.
- Novel written by Ursula Le Guin
- Published in 2001
- Part 5 of the Earthsea Cycle

Listened to the audiobook with Jenny Sterlin – well-read.
Usually I am a big fan of shorter form fiction: I love shorter stories that focus on ideas, on showing different sides of a character, or that really build a world.
I think Tales from Earthsea tries to be the latter – the final ‘story’ in the book is even a very explicit reference section on the history and cultures of Earthsea. But perhaps somewhat surprisingly, while I enjoyed Tales from Earthsea fine, I don’t think it added that much to the worldbuilding Le Guin already did in the previous instalments of the series.
I got the feeling that Tales from Earthsea was three or four Earthsea-novels condensed into one book, just with the stories told in fewer words. Usually I am a big fan of efficiently telling stories. In this case, however, I felt like some tales would have benefited from just a little more time to let the characters grow on me. As it was, the stories moved just a little too quickly for me to ever really be invested the way I was in, for example, Tehanu.
I think this is telling on what makes The Earthsea Cycle great for me: it is the characters in emotionally moving stories against a backdrop of interesting but ultimately very simple worldbuilding that draws me in, not the depth or details of Earthsea itself.
Having said all that, Tales from Earthsea does include a number of moving stories and learning about the history of the school of magic on Roke island is lovely. The collection of stories also continues the feminist theme that Le Guin put at the heart of Tehanu.
The honest truth is that while Tales from Earthsea is a fine book, it felt a bit like a stepping stone between Tehanu and the The Other Wind for me, a quick stop in between the rest of The Earthsea Cycle that Le Guin almost seems to have written for herself more than for the reader.
Still, armed with the knowledge that I have now, I am more than curious to dig into the final instalment of the Cycle, and learn about the final episode in Ged’s and Tenar’s life!
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- Novel written by Anne Rice
- Published in 1985
- Book Two of the Vampire Chronicles

I bought this book new at the store. That’s unusual for me – normally, I find my books at the thrift store. I’ll read whatever comes my way, I don’t tend to go out of my way to read a specific book. Despite having plenty of books to read at home (relatable, I’m sure), I decided to pick this up because I was genuinely excited to read it.
Like many, I’m sure, I’m a little bit tired of the way we depict vampires nowadays. Vampires have always been cool, but I’d love to go back to the type of vampires who don’t quite fit in. I like classic, flamboyant vampires, like those in What We Do In The Shadows. I guess I just don’t really like it when vampires wear jeans.
I should preface this by saying that Lestat is technically the sequel to Interview with a Vampire, which I haven’t read. I didn’t feel like I was missing out on much, except perhaps at the very end of the book. Even the last chapters are perfectly understandable, as long as you’re aware that the book Interview with a Vampire exists.
Storywise, The Vampire Lestat didn’t start off very strong. It really didn’t grab me until after he was turned into a vampire. Unfortunately, quickly after this, some stuff happened that made me go “Hmmmmmm, no thanks”. This is followed by a whole lot of no plot, until we get some insight into the history of vampires, which I did enjoy. There are perhaps three scenes in the whole book that take place in the “now” – the 1980’s.
Ultimately, I think the strongest part of this book is the exploration of what a creature that’s been alive for over a thousand years might be like. Lestat himself is probably the least interesting character in this novel, but I think he’s supposed to be. He is intentionally kept quite “human” so the audience can connect to him. However, this does mean that I was left wondering if I wouldn’t have preferred to read a book about his mother, Gabrielle, instead.
It’s hard to write an elaborate review on a book that didn’t inspire much emotion in me. I definitely didn’t hate The Vampire Lestat, but I also wouldn’t say it’s particularly… worth reading? You’re probably better off reading something like A Discovery of Witches, which will actually make you feel something (unbridled rage, but at least that’s something).
- Novel written by Ursula Le Guin
- Published in 1990
- Part 4 of the Earthsea Cycle

Listened to the audiobook with Jenny Sterlin – well read.
Of the first Earthsea trilogy, I liked The Tombs of Atuan the best – on the hand hand because it tells the most unified story, but also in particular because it is different: different both from the other two books in the first Earthsea trilogy, but also different from fantasy books in general.
Fantasy stories generally focus on extraordinary people experiencing extraordinary adventures. The extremes of human experience; characters formed by their continent-spanning journeys and battles with monsters and evil men. A Wizard of Earthsea is like that, and so is The Farthest Shore. In Tehanu, however, Le Guin returns to her characters from The Tombs of Atuan – and to the style of story telling that breaks the mould of standard fantasy adventures.
Tehanu focuses on heroic characters that are no longer heroic. Some because they chose a different life, others because they were forced into normalcy. In doing so, Tehanu shows that even the small people are important. They matter. And they don’t just matter because they used to be great, they matter because they are human.
As a result, the story is very personal, and surprisingly tense exactly because the stakes are smaller and more relatable. It is not a story about slaying dragons but rather about raising and protecting children or finding value in yourself outside of your abilities.
Moreover, I like that Tehanu is more explicitly feminist – it was written a fair bit later than the earlier Earthsea-trilogy (long after her commercial and critical success with A Wizard of Earthsea and The Left hand of Darkness), and Le Guin probably felt more at ease adding more political or personal themes to her writing. I like that she tells sexism the way it is – often not overt or even conscious, but rather endemic, ingrained and subconscious.
For example, when told by prophecy to look for an archmage by finding a ‘woman on Gont’, the mages don’t look for a female archmage, but rather assume the women will, in turn, lead them to their (obviously male) archmage. And Le Guin is also clever enough for the story to not then revolve around a female archmage being denied her right and claiming it through revolution, but for this bitter truth to be accepted by all characters as a fact of life.
I like the Earthsea Cycle, but I think Tehanu is easily the best of them so far – subtle and subdued but no less powerful than any of the others. In and of itself a reason to start reading the Earthsea Cycle if you still needed encouragement!
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- Video game developed by Hazelight Studios
- Directed by Josef Fares
- Published by Electronic Arts
- Released om March 6, 2025
- Action-adventure, 2 players
- Platforms: PC, Playstation 5, Xbox Series X/S
- Playing time: 10-15 hours

This is not the first game from Josef Fares that I have experience with. Years ago I was charmed by Brothers: A Tale of Two Sons. Furthermore, I enjoyed watching a playthrough of It Takes Two, also a game focused around co-op gameplay. Ever since the first trailers, I had no doubts about giving Split Fiction a try. I mean, a story about (fantasy) authors? That’s kind of a no-brainer…
As expected, Jasmijn and I had a lot of fun with this game. Hazelight Studios seems to fully understand that a co-op game like this not only benefits from multiple puzzles, but also from small opportunities where players can just muddle along and explore the stunning environments in hope of finding little easter eggs or crazy things to do – to simply play without an overarching goal. I mean, did the swimming pool area in the futuristic science-fiction city serve a narrative purpose? No. Did we spend a half hour fooling around there nonetheless? Certainly!
Similarly to Brothers: A Tale of Two Sons, the story of Split Fiction isn’t very complicated. However, it is delivered in a heartfelt manner by the two amazing voice actors and efficient writing. When emotions need to hit, they hit. Additionaly, there seems some clever commentary on the use of AI versus human creativity hidden between the lines…
If you’re in need for a game to play with a friend or partner, fun but not too difficult and with a nice story to boot, Split Fiction certainly is a recommendation.

Review: An Absolutely Remarkable Thing – Hank Green
April May – an otherwise unremarkable girl – runs into an immovable statue on her walk home one night, standing unmoving on a sidewalk in New York. April shares a video of the statue online, dubbing it ‘Carl’. The video goes viral and April becomes a celebrity overnight as Carls appear in cities around the world. April is dragged into the world of internet fame and even politics as the Carls turn out to be much more than they initially appeared, and she suddenly has a voice in an emerging global crisis.

Review: Exit Strategy – Martha Wells
Part 4 in the Murderbot Diaries – The Murderbot reconnects to the feeds when it returns from its self-imposed intelligence gathering mission to find that one of its favourite humans has become caught up in inter-corporate politics, and the Murderbot may have accidentally played an important part in the corporate anger against her. When the Murderbot figures she may have been kidnapped, it reluctantly turns off space-Netflix once again to save the day.

Review: Assassin’s Fate – Robin Hobb
Fitzchivalry Farseer’s daughter Bee has been kidnapped, and is presumed dead. Fortunately, Bee is very much alive, but unfortunately, she is being held captive by a group of white prophets, who intend to bring her back to their home in Clerres. Meanwhile, Fitz and his companions go on a journey to Clerres to kill all whites, to punish them for Bee’s alleged death.

Review: Antarctica – Kim Stanley Robinson
When the last wilderness on Earth is threatened, what do we do? Antarctica follows some of the continent’s inhabitants in a future that feels like today: Val, an experienced mountaineer who guides tourist following in polar explorers’ footsteps; X, a general field assistant doing general field assistance; and Wade, aide to a US Senator looking into some mysterious disappearances near the South Pole. Their lives in the icy cold seem tough enough as is, until suddenly disaster strikes…

Review: Red Country – Joe Abercrombie
When Shy and her surrogate-father Lamb return home from a trip to the village to sell the crops, they find the farm burned, Shy’s brother and sister gone and their caretaker hanged. A determination and a flicker of wrath stir in the otherwise placid Lamb, and they set out to chase the perpetrators. Elsewhere in the Near Country, Temple, chief lawyer and secretary to the washed-up mercenary captain-general Niccomo Cosca, has seen enough of the company’s ‘heroics’.

Review: Fractal Noise – Christopher Paolini
After the traumatic death of his wife, xenobiologist Alex Crichton joins an expedition that brings him and his fellow crew to Talos VII. They detect an anomaly on the planet: a giant hole that seems to have been created by intelligent life. Alex and three of his fellow shipmates descend to the planet to discover what the hole is, who made it, and why.*
*As they journey closer to the giant pit, Alex is forced to confront not just the idea of there being other life in the universe, but also his own demons.







