Escape Velocity

A curated Collection of Fantasy and Science Fiction Media

Welcome to the Escape Velocity Collection!

We are an opinionated group of friends reviewing all sorts of fantasy and science fiction media. Don’t forget to get to know the curators and visit our curated Collection, where we discuss the stories that never cease to transport us to another world.

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LATEST POSTS:

Prequel to Legends & Lattes - when orc barbarian Viv gets wounded in the search for a dangerous necromancer, she is sent to a local seaside town to rest and recover while the mercenary company continues the hunt without her. In the town, Viv befriends the local bookseller, who runs a dilapidated shop on the verge of bankruptcy. When Viv discovers the joy of reading, however, she makes it her mission to help the bookshop back on its feet.
Bookshops&BonedustReview

Listened to the audiobook with Travis Baldree himself – Like Legends & Lattes, well read.

Eh, shit.

Perhaps I shouldn’t have listened to Bookshops & Bonedust so quickly after I finished Legends & Lattes. Perhaps I should have known when I shut off the short story of Viv and her adventuring party actually in action that was an appendix to Legends & Lattes, and which was… eh.

In Bookshops & Bonedust, Baldree tries to repeat the trick he played with Legends & Lattes: we take our barbarian orc, place her in a contrasting setting, have her build up a small enterprise… we even have a ratfolk supporting character, and detailed descriptions of baked goods. What could go wrong?

Well. What goes wrong is that it just doesn’t work half as well the second time as it does the first. And what goes wrong is that if you add a lot of actual stakes to your book with a ‘high fantasy, low stakes’-tagline, it loses balance and stops working. What goes wrong is that we know Viv has a life of adventuring still ahead of her, and her in-and-out of her role as big brawny sword-swinging maniac just isn’t as convincing.

In fact, I feel Bookshops & Bonedust partly undermines Legends & Lattes in that Viv never refers back to her time at the bookshop in that, never acknowledges the inspiration she got from helping a small business on the verge of bankruptcy to relevance before. In fact, it undermines the very idea in Legends & Lattes that Viv is even trying something completely new, and her trepidations at the thought of gaining customers. And why would she be doing it without the people she met in Bookshops & Bonedust?

The bookshop-story itself is fun and scratches the right itches, though it is admittedly rather similar in set-up to Legends & Lattes. It still works though, and you really end up rooting for Fern, the bookseller.

But the throughline of the necromancer is annoyingly predictable and even somewhat dull. This is not the type of book where any of the characters you care about are in any danger, and you know it. It is not what I read this book for and it is not what this book is good at. It makes you rather feel like it could have been left out entirely. I wonder if I’ve ever read a book before where the climax was perhaps the least interesting bit.

Bookshops & Bonedust tries to expand beyond what Legends & Lattes offered, but I think in doing so, it loses a lot of what made Legends & Lattes worth recommending.

If you liked Legends & Lattes and you want more cozy fantasy, sure, give it a shot. Perhaps I’m overthinking it. Perhaps I’m being unnecessarily cynical. I don’t know. But Bookshops just feels like a cheap knock-off of Legends & Lattes, and I’m pretty disappointed. It is still fine, but nothing more than that.

Andy Skampt, April May’s closest friend, struggles to find meaning in his life after April’s death and the disappearance of the Carls. When he receives a mysterious text message and finds a mysterious book of instructions, he is dragged into an equally mysterious game. When he finds out an old nemesis has grand plans, he and April’s other friends are forced into action once again.
ABeautifullyFoolishEndeavor

 

Like with my review of the previous book in this series, I want to say that this low rating is not because I think the book is plain bad – it was just a frustrating read for me. I do believe the book has an audience – that audience is just not me or people like me. Additionally, if you read my review of part one and still read that book, then my review of part two is not going to do anything for you, for I think people that loved the first book will love the second, and people that didn’t like it probably shouldn’t be interested in reading this one to begin with.

My main problem with An Absolutely Remarkable Thing was the prose, which is only alleviated very slightly in this sequel due to the fact that other characters get to speak more. I know other curators did find it easy to read, and it is, but it remains surprisingly hollow.

The book has a more conventional plot than the previous instalment, which was promising at first, but Green dodges the science-fiction questions and handwaves explanations, giving the impressions that the aliens’ science magic functions exactly as the plot demands. I am not necessarily a fan of Brandon Sanderson’s approach to storytelling, but Green would have done well to take a leaf out of his book here: Sanderson believes that a writer’s ability to solve a character’s problem through magic (or here, the aliens’ ‘science’) is directly proportional to a reader’s understanding of that magic. In this book, however, it is never made clear what the aliens can or can’t do, and as a result the actions required of the main characters feel completely random. In that, the A Beautifully Foolish Endeavour just feels a lot more poorly thought out than An Absolutely Remarkable Thing, which, though weird, was coherent in its plot and message.

The story continues asking questions on internet influence, and the second book adds questions on the influence of social media companies and the failure of governments to rein them in. These are relevant questions and if Green manages to gain an audience for them through his books, then all the more power to him. As works of fiction, though, I think they do not cut the mustard, and unless you are very interested in a book on social media, I would recommend you leave these alone.

Life isn’t easy when you’re a chimney sweep in Victorian London. However, it’s the only life the young eleven-year-old Nan Sparrow has ever known. First under the tutelage of the Sweep, a man she loved as her father. Later, after the Sweep’s mysterious disappearance, she continued this existence in the name of a new cruel master. However, Nan’s life is about to change, when she discovers that a sentimental piece of char is actually a golem left to her by the Sweep.

It’s been a long while since the last time a book brought me to tears. Sweep let me cry two times in short succession. Not even dignified tears, mind you. I was bawling. Of course, this means I loved it and I think everyone should read this book when they have the chance.

Sweep has very Dickensian vibes. I don’t have a particular fondness for stories set in Victorian London, neither for stories that highlight the really terrible life conditions of poor children in that time period. However, I certainly have a weak spot for stories that know how to take historical elements and reimagine them with the littlest bit of “fantasy magic”. Stories that make me feel raw emotions, but without crushing my sense of wonder and hope.

The author handles his subject matters with care. This became clear to me when the appearance of a golem was quickly followed up by a dive into Jewish folklore and history. The same sensitivity is also applied to the history of chimney sweeps and the inner world of the characters within the story. Sweep is officially written for a middle grade audience, but don’t be fooled by this label. This book has a (emotional) depth that many stories aimed at older audiences can only dream of.

As a writer, I’m in awe with how Jonathan Auxier crafted this story. It’s hard to elaborate while keeping away from spoilers, though. Let’s just say that, from a very early moment, both the reader and the protagonist learn how the story has to end. And yet, when the expected climax arrives, you’re still not ready for it. That’s truly a marvellous feat.

I’ll confess I’m having a hard time with finding the right words to convince you, the reader, to go read Sweep. I’m a little afraid to spoil the magic with technical analyses**.** However, I hope my contemplations above are enough to inspire you. If not, I’ll leave you with some questions that the themes of Sweep touch upon. Some food for thought, so to say… How long do kind acts echo in the lives of other people? Is love worth the pain of grief? And what is the meaning of courage and sacrifice?

Reviewed by:

Veteran adventurer and orc barbarian Viv decides to throw in the towel and live a peaceful life instead. She has an idea for a shop selling a dark exotic brew she once tasted on one of her adventures… called coffee. But how to convince people to buy a drink they don’t even know exists?
Legends&LattesReview

Listened to the audiobook with Travis Baldree himself – well read, especially for an author (rather than a professional narrator)

I listed Legends & Lattes as my surprise of the year for 2023 – not because it was the very best book I read, but because I was expecting to hate it and I totally didn’t.

So usually, I get a bit annoyed with the trend of taking a basically modern story, and just smearing a fantasy sauce over it to make it ‘unique’ or to appeal to a certain audience. That goes even more when the fantasy sauce is the bland Dungeons & Dragons-omni fantasy that makes you roll your eyes every time a gnome is introduced with goggles in their pink hair. Well, that’s basically Legends & Lattes. It’s about an orc barbarian who retires from adventuring to start a coffee shop. That’s the type of premise that I usually steer clear of because I just know it’ll rub me the wrong way.

So why did I pick it up anyway?

I have an opinion on the novel that wins the Hugo every year, but I hardly ever actually read all the nominees. So when WorldCon is coming up, I always get this itch to read a least a couple of the shortlisted books so my opinion feels slightly less baseless. So, I saw Legends & Lattes on the shortlist, and I saw it was only eight hours long, and I figured, sure, I’ll give it a shot. Out of my comfort zone. You know the drill.

And to my surprise, I really liked it! Legends & Lattes is unapologetic, fun, light, and short enough never to lose momentum. Yes, it is very much a ‘modern’ story in a fantasy setting, down to a miraculous coffee machine that looks and functions exactly like one would at your local coffee shop and a store where you can apparently get stuff like ginger and cardamom with no trouble.

But… Legends & Lattes never tries to be a fantasy story. It actively rejects a lot of the axioms of the genre and Baldree plays with the tropes. It is cozy and cuddly and simple and short, unambitious and therefore comfortable. In short, it is just right.

Really, I guess my greatest gripe with the book is that it displays some very obvious coffee fetishism that is totally lost on someone that doesn’t actually drink coffee – no, mr Baldree, if you’re not an avid coffee addict, it smells and tastes terrible! When you have your first time coffee drinker characters lost in just-short-of orgasmic bliss at the first sip, your own addiction is very much on display…

Ah well, it is all made right by the cutest mouse baker ever put to paper and the sheer lack of pretention. I think it is a real pity it didn’t actually take home the Hugo – I liked it a lot better than Nettle & Bone.

Although Legends & Lattes is not explicitely a Christmas book, I feel it was made to be read around that time. For me it scratched exactly the same itch as a Christmas movie: cozy, heartwarming and not too complicated. I really liked the concept of a ‘real world’ cafe transported to a fantasy setting.

The book isn’t really trying to do anything more than that, so I probably shouldn’t try holding it to any higher standards. However, I still could not help wishing for just a little bit more. While the characters were by no means badly written, I lacked a feeling of true connection with them. This kept me from being as fully enthusiastic about the book as I might otherwise have been.

Still, I enjoyed it, so would recommend it for anyone in need of a comfort-read.

I like the idea of “cosy fantasy”, I really do. And I didn’t dislike Legends & Lattes. I was just expecting a little bit… more? Especially because of how obsessed everyone else seemed to be with this book. Heck, even Peter really enjoyed it.

I want to explain my criticisms of this book, but I think most of them could easily be countered with “that’s the point”. Nothing much happens. The stakes are kind of low. But of course, it’s supposed to be low stakes, it’s cosy fantasy after all.

Perhaps what is missing for me is some contrast. I do enjoy this kind of story but usually, I’d find it in the form of fanfiction of characters I already know and love. When we see “cosy” fanfiction, these stories are usually in stark contrast to their original work. Most fiction focuses on the drama, the action, the “un-cosy”. Then in fanfiction, we get to see the characters kick back and relax. In Legend & Lattes, we don’t know much about the hardships the characters (may) have experienced in the past. Baldree does give us some insight into Viv’s past, but it’s not quite enough to make me glad for her that she’s finally got the time to relax and enjoy the cottagecore dream of opening a cute coffee shop.

I did love most of the characters. Cal, Tandri and Thimble were absolute highlights for me. Though I didn’t hugely care for Viv, personally.

I also have to agree with Peter in that coffee really isn’t that good when you first try it. The fact that everyone in Legends & Lattes loves it at first sip is probably the most fantastical element in the book. However, I would argue that the smell of coffee is amazing, and would explain people being drawn to the shop.

I think I would have preferred to see this story unfold in the form of a cosy video game, where you get to run the coffee shop yourself. As a novel, it fell a little flat for me.

April May - an otherwise unremarkable girl - runs into an immovable statue on her walk home one night, standing unmoving on a sidewalk in New York. April shares a video of the statue online, dubbing it ‘Carl’. The video goes viral and April becomes a celebrity overnight as Carls appear in cities around the world. April is dragged into the world of internet fame and even politics as the Carls turn out to be much more than they initially appeared, and she suddenly has a voice in an emerging global crisis.
AnAbsolutelyRemarkableThingReview

There are some very slight spoilers in my review.

I’m going to rate An Absolutely Remarkable Thing two stars, but (i) purely subjectively for me, it’s probably a one star because I wouldn’t have finished if it wasn’t on a reading list for a book club; and (ii) I am so obviously not the intended audience for this book that me reviewing it feels similar to rating a university math textbook or a toddler’s picture book.

My experience for this book was reading diagonally across pages filled with some of the absolute worst prose I’ve ever encountered in any publication. I was reading about characters that I could relate to so poorly that they all felt like caricatures. The book is set up as a memoir penned by an unfiltered, very American, very teenage blabbermouth, with the occasional 2016 meme reference thrown in. It reads as one of those terribly annoying YouTube videos where they cut the breathing pauses between sentences out of people’s speech. At the same time, most of the sentences carry hardly any meaning, and Green needs about three times as many words to say anything as most other novelists would. I absolutely detest it. I also think these editorial choices were fully intentional.

The plot is about first contact with an alien species, but I’ve never seen an author who manages to make so thrilling a concept so nonsensical and incredibly uncool. The aliens literally just stand there (that’s the point) while humans solve absolutely ludicrous, completely unrelated, meaningless puzzles fit for a bad point-and-click game – in a dream. This is an actual thing happening in this book. It boggles the mind that people want to read about this.

At its core, though, this book is about fame, and, to be precise, internet fame. It’s message is about how internet fame made the main character see herself less of a person and more of a product. First of all, while I don’t think that it’s untrue, it is rather obvious, and as a moral lesson weirdly inapplicable to the general public who, I shit you not, are not all suffering from their success as internet influencers. Secondly, for me, it’s all very much a – as we say so beautifully in Dutch – a ‘far away from my bed show’. I don’t personally have any social media accounts and I haven’t felt the need to have any since I left high school. The endless attention and validation seeking makes me want to vomit just thinking about it, and I secretly harbour the belief that having an active social media account is a weakness of character. 😛 Anyway, keep engaging with our content! /rant.

The result, though, is that I find the main characters in this book utterly unrelatable, its style borderline unreadable, and its message paradoxically unremarkable.

As much as I did not enjoy it, I do realise it is probably successful at what it tries to achieve. But in what it has achieved, I believe it is more fit for 18 year olds that think they could be an influencer than a serious fan of science fiction.

I am very impressed by this book. Under the guise of a fun adventure story it manages to discuss some really important issues about social media and its impact on our lives. I very much enjoy reading about people in their twenties and I care deeply about all of the main characters in this book. Even though April makes a lot of awful decisions that are very hurtful to the people around her, her character is well enough developed that I still care about her as well. She also has a really dry sense of humour which I find very funny.

Because the writing style is very conversational and April is addressing the reader directly, this book is particularly well-suited to the audiobook format. It is performed by Kristen Sieh (known from Orange is the New Black), and definitely worth checking out.

This book has an intriguing premise and relatable characters, packaged in a quick and accessible writing style. Ultimately, these things are used to get Hank Green’s theory on ‘internet fame and how it affects you’, across, which is done pleasantly elegant. However, the book keeps telling me this Very Big Worldwide Event happened, which kept pulling me out of my suspension of disbelief.

Overall I enjoyed the reading experience, but keep part two on hand when you like having answers to all your questions. I was very glad I had mine already on my nightstand, ready to go.

Reviewed by:

Part 4 in the Murderbot Diaries - The Murderbot reconnects to the feeds when it returns from its self-imposed intelligence gathering mission to find that one of its favourite humans has become caught up in inter-corporate politics, and the Murderbot may have accidentally played an important part in the corporate anger against her. When the Murderbot figures she may have been kidnapped, it reluctantly turns off space-Netflix once again to save the day.
ExitStrategyReview

Listened to the audiobook with Kevin R. Free. Well-told this time.

Having heard the recent rumours of an upcoming Murderbot TV adaptation, I figured I’d give the series another shot (after having dropped Murderbot after part three about two years ago). After all, I really like the idea of The Murderbot Diaries. So perhaps taking a break would be enough to help me appreciate it just a little bit more…

Unfortunately, no.

Exit Strategy is similar to the previous instalments in the series: the Murderbot travels to a new space station, hacks its way through station security, and pretends to be human, until it is confronted with powerful corporate security that attempts to stop it from completing its mission.

It’s message is also similar: capitalism sucks, humans supporting that system suck, human interaction is difficult (and sucks), sometimes you just want to lock youself in a room and watch television (which, incidentally, doesn’t suck), but even if you so, some humans, surprisingly, don’t suck and it’s worth the effort of socialising with them to be their friend.

But the Murderbot’s social struggles just didn’t really resonate with me, the hacking is starting to get really samey, and I’m really starting to feel that the piecemeal worldbuilding is letting the series down.

I really love that the story is told through bite size chunks of about 3-4 hours. But with Exit Strategy, I really felt like I was reading a chapter in a novel that was pretending to be a novella. There is clearly a direction for the series, but because Exit Strategy is supposedly a novella,  that through line is very simple.

That is a pity, because I feel the potential of politics done right just swirling beneath the prose. The same goes for the worldbuilding, or the recurring human characters.  I think Exit Strategy is really where the format is starting to hurt the series.

I wonder if it has ever happened before that I’ve tried to like something as much as I’ve tried to like Murderbot, but still failed. I like the format of a series of shorter stand alone stories, that still tell a connected tale. I love the idea of an androgynous socially awkward cyborg that hacked itself to watch space-Netflix. I love the idea of describing human interaction from the point of view of that character. I like the idea of hacking and bot-to-bot interaction playing an important role in the plot.

Murderbot has all the ingredients for a huge hit – so it is no wonder that it is! Wells has received two Nebulas and four (!) Hugos for the series. That’s incredible, and I’m not going to argue that The Murderbot Diaries doesn’t deserve them. Wells just used all those great ingredients to bake a cake that is constantly disappointing for me.

Now, the next instalment, Network Effect, is actually a novel. Which makes me feel like Wells maybe agreed with me. So now I’m in doubt again, because maybe it would actually be a good idea to read Network Effect and see if it remedies some of the issues I am struggling with in this series. Boy, I am really trying hard to like Murderbot….

Review: Bookshops & Bonedust – Travis Baldree

Prequel to Legends & Lattes – when orc barbarian Viv gets wounded in the search for a dangerous necromancer, she is sent to a local seaside town to rest and recover while the mercenary company continues the hunt without her. In the town, Viv befriends the local bookseller, who runs a dilapidated shop on the verge of bankruptcy. When Viv discovers the joy of reading, however, she makes it her mission to help the bookshop back on its feet.

Read More »

Review: A Beautifully Foolish Endeavor – Hank Green

Andy Skampt, April May’s closest friend, struggles to find meaning in his life after April’s death and the disappearance of the Carls. When he receives a mysterious text message and finds a mysterious book of instructions, he is dragged into an equally mysterious game. When he finds out an old nemesis has grand plans, he and April’s other friends are forced into action once again.

Read More »

Review: Sweep: The Story of a Girl and Her Monster – Jonathan Auxier

Life isn’t easy when you’re a chimney sweep in Victorian London. However, it’s the only life the young eleven-year-old Nan Sparrow has ever known. First under the tutelage of the Sweep, a man she loved as her father. Later, after the Sweep’s mysterious disappearance, she continued this existence in the name of a new cruel master. However, Nan’s life is about to change, when she discovers that a sentimental piece of char is actually a golem left to her by the Sweep.

Read More »

Review: Legends & Lattes – Travis Baldree

Veteran adventurer and orc barbarian Viv decides to throw in the towel and live a peaceful life instead. She has an idea for a shop selling a dark exotic brew she once tasted on one of her adventures… called coffee. But how to convince people to buy a drink they don’t even know exists?

Read More »

Review: An Absolutely Remarkable Thing – Hank Green

April May – an otherwise unremarkable girl – runs into an immovable statue on her walk home one night, standing unmoving on a sidewalk in New York. April shares a video of the statue online, dubbing it ‘Carl’. The video goes viral and April becomes a celebrity overnight as Carls appear in cities around the world. April is dragged into the world of internet fame and even politics as the Carls turn out to be much more than they initially appeared, and she suddenly has a voice in an emerging global crisis.

Read More »

Review: Exit Strategy – Martha Wells

Part 4 in the Murderbot Diaries – The Murderbot reconnects to the feeds when it returns from its self-imposed intelligence gathering mission to find that one of its favourite humans has become caught up in inter-corporate politics, and the Murderbot may have accidentally played an important part in the corporate anger against her. When the Murderbot figures she may have been kidnapped, it reluctantly turns off space-Netflix once again to save the day.

Read More »