Escape Velocity

A curated Collection of Fantasy and Science Fiction Media

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Based (rather loosely) on Philip K. Dick’s 1966 short story We Can Remember It For You Wholesale, Verhoeven’s 1990 cult classic is a weird amalgamation of senseless violence, aged effects, mediocre acting and a thought-provoking concept.

I’m having a really tough time rating this movie in stars, so I would recommend you mostly forget about those and read the review instead.

This is a typical Verhoeven movie, where on the surface its just a mind numbing orgy of violence and some sex, but the more you think about it, the more you realise Verhoeven may have thought about it, too. Allow me to explain.

Let’s start with the bad: a lot of the movie’s runtime is taken up by long, gory action scenes in which Arnold Schwarzenegger violently murders his way through most opposition.

I would describe his acting as downright poor, and he’s not the only one who suffers from wooden dialogue in this film.

I’ve read somewhere that Total Recall was one of the most expensive movies made at the time, but the effects have aged really poorly. That might be because very little thought seems to have been put into the visual style: many of the movie’s sets and props very much look like they’re made out of flat cardboard (probably because they are), and while a handful of scenes do show some nice expansive shots, many more appear to have been filmed in cramped studios. The lighting is flat and there is just a weird amateurish air to it all.

That sounds pretty bad (and it is), but like other Verhoeven movies, it also feels like it is a parody of itself. It almost feels like it is intended to show the watcher just how stupid and violent Hollywood movies can get.

And if you look at it as something of a satire, a comedy, it actually becomes pretty enjoyable – perhaps not to watch too intently, but good with popcorn and beer for a corny movie night.

But really, there’s even an interesting layer beyond that. I don’t want to give it all away, but from the moment Quail, Schwarzenegger’s character, enters Rekall for his memory-implantation procedure and they select ‘Blue Skies on Mars’, you should start questioning whether what you see on screen is intended to be real. Even at the end of the movie, if you’ve paid any attention, you are left scratching your head.

I don’t think it’s the sick mind-melting mystery that some online fans seem to think it is (though admittedly, any online following of a thirty five year-old mediocre action movie is going to be at least a bit delusional), but it’s a neat twist that shows that Verhoeven’s film is smarter than it lets on.

Overall – if you’re bored some time, give it a shot and see for yourself. Maybe you can’t see past how terrible it is, but if you can, Total Recall is surprisingly good goofy fun.

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