Escape Velocity

A curated Collection of Fantasy and Science Fiction Media

Welcome to the Escape Velocity Collection!

We are an opinionated group of friends reviewing all sorts of fantasy and science fiction media. Don’t forget to get to know the curators and visit our curated Collection, where we discuss the stories that never cease to transport us to another world.

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When a mysterious illness started spreading among the pupils and teachers of Raxter Boarding School for girls, the whole of Raxter island was put under strict quarantine. The Tox killed a large part of the teachers and brought about strange and painful changes in the surviving girls’ bodies. Hetty and her two best friends Byatt and Reese have managed to survive so far, despite the hardship and scarcity of food. When Byatt goes missing, Hetty and Reese risk everything to find out what has happened to their friend, and make a number of terrible discoveries in the process.

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I would say this book falls somewhere on the border between Fantasy and Sci-fi. It takes place in a world that is not very far removed from our own, but many elements of the Tox fall more in the realm of magical realism than science-fiction. It is very much a young adult book in that it is written solely from the perspective of a teenage girl. However, the book is very dark and contains elements of horror, so I would not recommend it for very young readers.


My favourite part of this book was the relationship between the three girls. Their friendship and the feelings they had for each other were deep and complex, which made it all the more powerful how far they were prepared to go to protect each other. However, I did find myself getting a little tired sometimes by Hetty’s naivety. She is very young, so it is not unrealistic that she would be naive, but for me as an older reader it took away from the reading experience a bit. I guess this is mostly a case of me being the wrong audience for this book, if I had read it when I was younger it probably would not have bothered me as much.  


On the whole, I thought Wilder Girls was a very interesting read, even though it is clearly meant for readers who are a lot younger than me. If you enjoy young adult books and are looking for a feminist book in this genre, or a book featuring F/F romances, consider giving this one a go.

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The first time Henry meets his future wife Clare, he is 28 and Clare is 20. But for Clare, this is not their first meeting at all: she has known Henry since she was six, when he appeared out of nowhere in a meadow behind her house. Henry suffers from a rare genetic condition which causes him to spontaneously and involuntarily travel backwards or forwards in time. As their relationship progresses, both Henry and Clare have to deal with the consequences of Henry’s condition.

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This book is often classified as sci-fi because it involves time travel, but I think this might set the wrong expectations for it. Except for a few far-fetched experiments on mice it does not involve a lot of science, and it only considers the consequences of Henry’s condition on Henry’s life and on that of those around him. It does not go into the consequences of his condition for the world in general. The Time Traveller’s Wife is primarily a story about a relationship, just one where everything happens completely out of order. 

 

I am a little conflicted about this book. On the one hand, it is an interesting and original premise that is well worked-out. The book is written in a style that is engaging and easy to read, and even though it jumps back and forth a lot between different moments in time, it never becomes confusing. On the other hand, at times it seemed like ‘being in love with Henry’ is pretty much the main reason for Clare’s existence, except for the period when ‘wanting to have a child with Henry’ is the main reason. Despite this I somehow still found myself quite liking her as a character, which is a testament to Niffenegger’s skill as a writer. As for Henry, while everyone who knows him (including his own father) seems to think he is bad news, he becomes pretty much the perfect boyfriend as soon as he meets Clare. This makes the whole ‘bad boy’ vibe that the author seems to want to give him a little unbelievable.

 

Despite its flaws, I think I would still recommend giving this book a go if you enjoy stories where romance is a large part of what drives the narrative. The world and atmosphere that the book creates is captivating enough that it stayed with me during the days when I was reading the book, as well as several days after I had finished it. It also does not shy away from becoming quite dark at times, which keeps it from becoming all too sappy. 

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The daughter of the man who designed the Death Star is pressed into the Rebellion’s service to find her father and learn more about the weaknesses of the Empire’s newly constructed superweapon.

Rogue One

I’m going to have to do some explaining, rating Rogue One as highly as I do, after I complained that one of the reasons I didn’t love The Last Jedi was that ‘it didn’t work as a Star Wars movie’. I am going to go ahead and argue that Rogue One works so well because, well, it is a completely different take on what a Star Wars movie can be. 

Star Wars is the kind of franchise that doesn’t invite you to think too deeply about it all. By now, in the Star Wars cinematic universe, genocide on a planetary scale is more or less required to establish any antagonist as a credible opponent to our jedi main characters – and its mostly a minor plot point. Although we learned in Episode VII that stormtroopers are literal child soldiers, they fall as abundantly as blades of grass before a lawn mower. Shots of pilots dying in their exploding ships, being sucked into the void of space, are commonplace, and the camera does not linger. Star Wars is a series replete with absolutely brutal violence, but it is sanitised to an incredible degree – all so we can sell little kids lunchboxes featuring the stormtroopers of a fascist empire, or school backpacks adorned with the mask of homocidal maniacs and war criminals such as Darth Vader or Kylo Ren. *sigh*

Rogue One manages to break out of that straightjacket somewhat. It is not Band of Brothers, or The Pacific. But it does put the war in Star Wars. Because the story is that of some of the rebellion’s frontline troops, there is some space to explore the impact of the Empire’s dictatorship on the day to day lives of its inhabitants and the effects of the war on the people that fight it. The stakes are a bit more personal than those of the other Star Wars movies, and therefore a bit more relatable. 

The story is a bit meandering at times, but Rogue One has the great advantage of being a Star Wars movie, so it has great production value and it looks absolutely amazing. Especially the final scenes tying the movie directly into A New Hope are a treat for veteran Star Wars fans, so unlike most of the Star Wars content that Disney put out, I think that Rogue One is a refreshing take that will please the old guard as well.

I was much younger when I first watched the original Star Wars trilogies. Frankly, they didn’t leave much of a mark on me. I should probably give them another try, but haven’t come around to it yet. Rogue One, however, I saw quite recently, thanks to Peter.

In a vast universe with grandscale threats, the story of Rogue One is a rather small one. But just like Peter, I believe this is one of this movie’s core strengths. The characters are no prophesied saviours, but even so… a lot depends on their actions. They are reluctant (anti)heroes swept up by events that are ultimately bigger than them, and they are coping as best as they can.

On the whole, I would not say that Rogue One is a specifically unique or well-told story, but it is charming because it fills up a gap in the well-known history of the Star Wars universe. An enjoyable watch, even if you’re not the biggest Star Wars fan.

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Suddenly, there’s a new antagonist to finish off the trilogy. If you can avoid it, don’t watch this movie, folks.

The Rise of Skywalker

Why, Disney, why?

The Rise of Skywalker is the absolute low point in the Star Wars saga, and proof that even a huge budget, a name as big as Disney, and a franchise as iconic as Star Wars are no guarantee for a film that is even remotely passable. Disney massively dropped the ball on this trilogy, and the main reason for that is that it all led to the massive trainwreck that is The Rise of Skywalker

The movie stopped making sense before the opening crawl even started, when they decided to announce their new antagonist off screen, between movies, in Fortnite. I am not making this up

It doesn’t get any better after that. The movie is rife with bad writing and filmmaking – hunts for newly-introduced McGuffins, unearned emotional moments, single-moment character redemption arcs, nonsensical lines spoken by a dead actress, terrible boss-battles, stakes raised to the absolutely unbelievable, and an ending that makes sense only to the public and not to the characters. There are too many sins to list them all. My viewing experience was akin to some sort of fever-dream hallucination, like someone had accidentally replaced the script with a fourteen-year-old’s fan fiction, and J.J. Abrahams just rolled with it. 

Overall, even though it still looks good (it’s Star Wars, after all, and the visual team seems not to have collectively lost its mind (as opposed to the writing team)), the film is an affront to filmmaking and to the Star Wars franchise. There are many hundreds of hours of video essays and rants on where this trilogy went wrong, and much digital ink has been spilled over it on blog posts and Reddit threads. I believe that the plot writing was the main issue, and apparently, the lack of a coherent plan for the trilogy. 

Effectively, it took Disney about four years to kill the main Star Wars saga as a guarantee for good content. Each of the movies was less successful than the last. Of course, Star Wars is too big a franchise to just die because of a couple of lean years (and though I haven’t watched it, The Mandalorian appears to be good, based on its reception), so there is hope yet. But there are so many failures and icky elements to the Disney Star Wars reboot that it feels to me like a soulless cash grab (as we’ve come to expect from Disney’s factory-formulaic storytelling). It is just a pity that this time, Star Wars was the victim.

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Fighting a losing war against the First Order, the Resistance is forced to flee with their last fleet, while far away Rey starts her training with Luke Skywalker.

The Last Jedi

The controversial one! I’m going to rate it two stars, but I’m flip-flopping a lot on this one. 

Let’s start with the good: Like any Star Wars movie, it looks amazing. The visual language of the Star Wars universe is yet to be beaten in science fiction film in my opinion, and The Last Jedi is no exception. I love Daisy Ridley’s performance, and I think that Kylo Ren has a better showing in this film. Though their force-based Zoom calls make very little sense in-universe, their conversations make for great character development and their action sequences are visually popping. 

However, ‘that makes very little sense in-universe’ could have been the tag line of this movie. I am not a purist, and as I explained in my review of The Force Awakens, not the world’s biggest Star Wars nerd. But this film is filled with moments that make you raise eyebrows – character choices, technological possibilities, etc. – that are in direct conflict with what the story required in earlier installments. Along the lines of the same criticism, there is a mediocre subplot about two of the characters going hunting for a technological McGuffin that ends up being useless, whilst being presented with an absolutely ludicrous ‘both sides’ argument. But most importantly, this movie takes a lot of the set-up of the previous part and tosses it right in the bin. 

When I walked out of the cinema, I was actively angry with this movie. It just made no sense to me why they would make the weird plot choices that they made. Looking back now, on the one hand, we can lay much of the blame for the complete and utter dumpster fire that is Episode IX squarely at the feet of some of the plot choices of The Last Jedi. On the other hand, seeing the absolutely miserable character development in that movie, I realise that there is a certain grown-upness to The Last Jedi that is only otherwise present in the original trilogy. Overall, I think that much of The Last Jedi would have been a far better movie had it not been a Star Wars movie (oh, and also, if they had removed the Canto Bight sub-plot). Unfortunately, it is a Star Wars movie and it just smashes down too much of what we know and expect of the universe to function well as one. So while I see some merit, at the end of the day, I am with the crowd that was disappointed.

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In this Disney reboot of the Star Wars universe, scavenger Rey gets tangled up in the workings of the Resistance against the newly risen First Order when a deserter falls out of the sky near her home on the desert planet of Jakku.

The Force Awakens

Ah, the Disney Star Wars Trilogy – that’s a can of worms to open. I’ll just go ahead and give my opinion, and I’ll try not to let the internet outrage influence me too much. 

So, some background – I grew up with Star Wars. My dad was in his early twenties when the original Star Wars was released and he’s been a big fan since. I probably watched the movies first when I was about seven years old, and their visual style has imprinted on me too. I am not, however, on the scale of Star Wars fans, a particularly big Star Wars fan – I’ve seen most movies, played a couple of video games and own some cool lego sets, but I’ve never delved into the extended universe or read novels. 

I saw The Force Awakens with my dad in the cinema, and I was very excited to go. It is not every day that you get to experience the reboot of a franchise this big, and there had been teasers and trailers all year long. When the opening crawl finally floated across the big screen and the theme music plays, there was a special ‘yes’- feeling you get at being there to actually experience it in cinemas this time. 

The movie itself did not disappoint. It is a movie that oozes Star Wars. I loved the visual styles of the new ships and droids and stormtroopers, I loved the re-introduction of old favourites like the Millenium Falcon and the beautiful dogfight scenes we get with her early on. I especially loved Daisy Ridley’s performance as Rey, who I thought was a great, witty, charming heroine without the overwhelming need to present her as sexy. 

The movie oozes Star Wars so much that perhaps… it feels like they just took a lot of the plot beats from A New Hope and re-used them for The Force Awakens, from a nobody from a backwater desert planet falling in with Han Solo to the secret plans revealing the weak spot of a large moon-like base that is assaulted in the final act. But honestly, it didn’t bother me. I came to the cinema to watch the rebirth of Star Wars, and something very Star Wars is what I got. 

That is not to say that the movie doesn’t have its misses. I liked John Boyega’s performance, but I didn’t really like his character. That is mostly because he ended up as a comic relief character that was killing stormtroopers left and right, even though his arc was set up as putting a face to a nameless crowd of enemies that turn out to be literal child soldiers. The movie fails to knock down that set up miserably. Adam Driver’s Kylo Ren was never going to be as iconic as Darth Vader, but in trying to find the balance between unstable and terrifying, I think the writers erred on the unstable side, making him appear more as a child and less as an antagonist. 

In the end, though, I thoroughly enjoyed watching The Force Awakens. It is not particularly refreshing or unexpected, but it is Star Wars the way I like it.

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Review: Wilder Girls – Rory Power

When a mysterious illness started spreading among the pupils and teachers of Raxter Boarding School for girls, the whole of the island was put under strict quarantine. When Hetty’s best friend goes missing, she is determined to find out what happened.

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