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We are an opinionated group of friends reviewing all sorts of fantasy and science fiction media. Don’t forget to get to know the curators and visit our curated Collection, where we discuss the stories that never cease to transport us to another world.
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- Novel written by Emily Tesh
- Published in 18 June 2019 and 18 August 2020
- Drowned Country follows Silver in the Wood
Listened to the audiobook with Matthew Lloyd Davies – well-read, I particularly like his Tobias.
I always appreciate shorter forms of fiction. I don’t think they ever really went away, but to me personally, I feel like they have become a little more accessible lately because of audiobooks. I think the way I – but probably most people – usually consume literature is by buying a novel-length book of the shelve, and that means that novellas or short stories only ever really show up on the radar if they get collected. With audiobooks – especially in the library-style streaming apps we have today – it feels equally natural to pick something shorter.
Now, admittedly, Silver in the Wood and Drowned Country were collected in the Greenhollow Duology and I did listen to them back to back.
But I really wonder whether I would have picked these up if I would have had to buy a hardcopy from a store, especially since they are marketed as romantic fantasy – and that is a real pity!
If I had to rate the two novellas separately, I would probably give Silver in the Wood a 4 star-rating, and Drowned Country a 3 star-rating.
I think Silver in the Wood precisely hits that sweet spot between mystery and familiarity; it draws on familiar tropes and atmosphere while at the same time giving very little away and allowing the reader to guess a lot. The tension between the main characters is tangible and even though the plot itself is very simple, the emotions and characters make it a very satisfying read.
Drowned Country is still good, but it is at its best before the main plot of the novella takes off, when it focuses on the new relationship between the two main characters of the first story. I like the new character that was introduced and if Tesh ever continues the story, I am more than curious to read more about her. But the core adventure of Drowned Country feels a little more haphazard than Silver in the Wood, almost a little out of place with the atmosphere of the rest of the story. There is enough around that episode to enjoy in the novella , and it didn’t get in the way of my enjoyment of those other aspects. But I hope that the next setting will draw me in again like Silver in the Wood did.
Still, I think Silver in the Wood and Drowned Country are great examples of fantasy stories with heavy overtones of romance that still work as stories, where the (romantic) tension between the main characters adds to the narrative rather than getting in the way of it.
Overall, I think the Greenhollow Duology is a nice read for anyone who can appreciate a little atmospheric fantasy in a fresh setting – and I, for one, hope that Tesh will expand the story into an ongoing series of novellas similar to the Singing Hills Cycle!
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- Movie directed by Christopher Nolan
- Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, Bill Irwin, Ellen Burstyn, and Michael Caine
- Released in November 2014
- Runtime: 169 minutes

I’ve been informed that Interstellar is regarded as one of the best Science Fiction movies of all time. Personally, I mean… I definitely thought it was fine.
Visually, this movie was pretty good once they actually got to space. The water planet was really fun to see, but that’s basically it. It’s very much going for “realistic” science fiction, which is understandable because the ending is bat shit crazy.
I do think Interstellar was predictable in a good way. Like, the plot is WILD, but when the ending comes around, it makes sense. Everything is set up very well, but… boy does it take them a while to do so. If I hadn’t watched this movie with friends, I probably wouldn’t have made it through the first half hour.
Matthew McConaughey didn’t really do much for me in this film, which is unfortunate as he plays the main character. They would have us believe he has chemistry with Anne Hathaway, which he doesn’t really. I usually really like Anne Hathaway. Her character, however… is fine? Mostly she’s just boring, but they really try to make her the “emotional” opposite to McConaughey’s “rational” scientist, which made me want to barf. Look: there’s not a lot of women in this movie. For no real reason! Half of the male characters could have been women and it wouldn’t have changed a thing. Cooper (the main character) could have been a woman and it wouldn’t have changed a thing either! OR? Maybe it would’ve been better??
No, but picture this: Anne Hathaway as the lead. Now there’s a movie I would have liked to see.
Matt Damon is also in this movie, with a subplot that really could have been cut out. His part is basically just the Martian, but nowhere near as good.
One of my minor gripes with this movie is that it tries to over-explain things. You can just let the ending be weird!! It’s science fiction! Have some fun!!! Not to mention that they’re so afraid of giving this movie an open ending when they really should have. Like, the ending is still open but as far as I’m concerned they could have ended it at a way earlier point and it would have been better.
Overall I’d say Interstellar has potential, but would have benefited from a LOT more editing.
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- Novel written by Tonke Dragt
- Published in 1982
- Sequel to Torenhoog en Mijlenbreed
Listened to the audiobook with Ricordo Blei. Well-read.
Ahhh, Ogen van Tijgers: Torenhoog en Mijlenbreed’s weird little brother. I reread the one, so I couldn’t resist rereading the other, even though I when I started I already knew I probably wouldn’t like it as much, considering I hardly remembered anything of Ogen van Tijgers from when I read it in my childhood.
Robin tried to warn me, but Ogen van Tijgers was still weirder than expected.
Where Torenhoog en Mijlenbreed takes place on Venus, Ogen van Tijgers is set back home on Earth, in a highly ordered society controlled by an apparently benevolent but meddlesome world government. The book’s protagonist, Jock Martijn, is unhappy and subject to intrusive thoughts. He feels controlled and spied on, while unable to communicate his true feelings to the people that matter to him.
Dragt leaves the precise structure of society pleasantly out of focus. As a result, Ogen van Tijgers is not slowed down by unnecessary worldbuilding or explanation. On the other hand, that also means that the future society she describes is not developed to its full potential.
While that might still work as a backdrop, I was never really sucked into the story that Dragt tells in this world. I think part of the problem is that Jock Martijn’s struggle – wanting a relationship with his sister while dealing with his emergent ability to read people’s thoughts- isn’t particularly relatable, and also, given the ending, perhaps not really appropriate for children or perhaps even young adults. The more traditional plot elements of the story are not helped by the absence of a clear antagonist and the main characters’ very minor role in their resolution.
Another difficulty is that a lot of the action in the book is Jock Martijn’s internal struggle. And while I wouldn’t say the book is poorly paced on the basis of my reading, those pages spent bouncing around inside the main character’s brain aren’t exactly riveting content.
The resultant story feels a little messy and it is sometimes difficult to draw the lines between the different elements of the plot. A lot happens to Jock Martijn, but it is never clear why what happens to him really matters in the bigger picture.
Overall, I generally wouldn’t recommend this book. There are a lot of ideas with potential, but they end up drowning in the inner dialogue of a not-quite-relatable character with questionable motivation. I love Tonke Dragt, but Ogen van Tijgers is just not it. Sorry.
- Novel written by Michael J. Sullivan
- Published on 28 June 2016
- Part 1 of the Legends of the First Empire-series
Listened to the audiobook with Tim Gerard Reynolds. Good narrator, though I think a different narrator might have made the book come to life with a little more humour.
Borderline 2.5/3 star review.
Conceivably, the very first scene of Age of Myth is the best of the entire book. The idea of a novel that explores what happens to a civilisation that kills its god is fascinating – but unfortunately not the road Age of Myth ended up going down.
After the first scene, Age of Myth failed to really grip me. I think Age of Myth suffers from ‘first book in a trilogy’-syndrome: it is supposed to the draw the reader in, introduce the characters, build the world and set the stage, while at the same time limiting its plot in scope to prevent upstaging the later developments in the trilogy.
The characters in Age of Myth were diverse enough and some of them were potentially interesting, but there were a lot of them to introduce and it took a while to for them to all fall into their place for me, even if a number of them are fairly stereotypical (especially the villains were sometimes painfully flat and banal). The result is that none of them managed to actually grip me.
Similarly, the world Sullivan builds is rather flat and middle of the road for a high fantasy book. It is populated with relatively unoriginal elves, dwarves and humans by a different name. Magic exists and is incredibly powerful, but despite one of the characters being a magic teacher, Sullivan gives us no rules to understand the system.
That leaves the plot and the set up for the rest of the trilogy. The pacing was good enough, even if I would have perhaps preferred fewer scenes and in particular more focused scenes.
Perhaps an interesting detail of the plot is that Age of Myth and the Legends of the First Empire-series it is the first instalment of are a ‘prequel’ of sorts that takes place thousands of years before the events of other series Sullivan had already written in the same world. My understanding is that he introduces events in the Legends of the First Empire that have been mythologised in the series that takes place later in time, so subverts the expectations of readers of those books by ‘downplaying’ how big they actually were.
Coming into Age of Myth without that background, though, most of the plot seems almost ‘quaint’, focusing on a few people in a single town. There were certain things I liked about that – for example the fact that most characters actually had meaningful family ties, but also that their interrelated relationships allowed for a couple of neat reveals. On the other hand, it also meant that the events in the wider world – which are probably what is supposed to draw me into the story and commit me to reading the full 6(!) part series – felt a little underdeveloped.
To be honest, Age of Myth surprised me with how recently it was written. I rather expected it to be 25 or 30 years old, but in fact it dates to 2016. That is around the time something like Naomi Novik’s Uprooted was published, which I think is a much more modern fantasy novel in almost all of its aspects.
The conclusion is that I might read on, give one more novel a fair shot, but that I’m not necessarily excited for it. Age of Myth felt like a very classic, trope-ical, middle-of-the-road fantasy story that isn’t a chore to read but that equally failed to leave much of an impression.
Perhaps something to take away from this for myself is that that type of fantasy just doesn’t do it for me anymore. It makes me glad that the modern fantasy genre has developed to embrace diverse ideas and worlds and is drifting further away from the all-to-familiar Tolkienesque style that dominated it for decades.
And so I find that even a very average read can teach me something new about me and my preferences – time spent reading is never wasted!
On a side note, I am rather happy that I didn’t actually read this book, because the spelling of a lot of the words and names that come up when I google the book is absolutely killing me….
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- Novel written by Tonke Dragt
- Published in 1969
- Followed by Ogen van Tijgers
Listened to the audiobook with Ricardo Blei. Well-read.
I often say that I like to read classics, and Torenhoog en Mijlenbreed is certainly a classic of Dutch science fiction and children’s literature. Unfortunately, it appears never to have been translated to English. Ironically, Dragt derived the Dutch title Torenhoog en Mijlenbreed from a line of Robert Louis Stevenson’s poem Travel: “Where are forests, hot as fire / Wide as England, tall as a spire.”
Dragt didn’t just draw inspiration for the title from the poem: in her imagination, Venus is a warm and moist planet with a dense forest cover hidden under thick layers of rainclouds. Humans have established permanent bases underneath large domes, but do not dare to venture into the forests. As a result, Venus remains a mystery despite many generations of planetary researchers exploring the areas around the domes.
To us, who can google pictures of the bare volcanic plains of the surface of Venus, the story seems about as outdated as Arthur Clarke’s The Sands of Mars, but when Torenhoog en Mijlenbreed was published in 1969, no probe had penetrated the clouds of Venus’ atmosphere yet, and the story was at least possible.
Either way, it doesn’t matter too much whether the story takes place on Venus or some other imagined exoplanet. The story is ultimately not about the planet as much as it is about human interactions and communication.
Dragt sets this up very well: the close environment of the dome, the mysterious policies of the headquarters keeping researchers out of the forest, the psychological interviews the researchers undergo all add to the sense that the main character is being hemmed in and held back, causing the reader to share his curiosity for the fiery forests of Venus.
When the protagonist finally takes action, the increasingly complex emotional interactions with the various characters that follow are the perfect backdrop to explore what it really means to communicate and understand, whether over radios, with words, or in thoughts.
Torenhoog en Mijlenbreed is a children’s book, but it is not the themes but perhaps rather the level of complexity of the words and worldbuilding that show it is aimed at younger readers. I think Torenhoog en Mijlenbreed achieves an emotional depth that many grown up sci-fi stories never reach.
All I can say is that Torenhoog en Mijlenbreed once more prove that Tonke Dragt is the undisputed master of the speculative genre in Dutch. Again, it is unfortunate that the novel was never translated to English – but if you read Dutch and have never tried it, I have no hesitation recommending it to readers of all ages!
- Movie directed by Tomm Moore and Ross Stewart
- With the voices of Honor Kneafsey, Eva Whittaker, Sean Bean, Simon McBurney, Maria Doyle Kennedy, Tommy Tiernan, Jon Kenny and John Morton
- Released December 2020
- Runtime: 103 minutes

If my memory serves me right, it was an elaborate Tumblr post in 2020 that made a very strong case for watching this movie. Such a strong case even, that in the past few years I occasionally went out of my way to try and find a way to watch it. Without success, it seems, till Robin finally provided me with a solution this year (2025 for those from the future).
Honestly, Wolfwalkers deserves every recommendation. The animation in this movie is truly enchanting and unlike anything I’ve seen before. At times you can almost see how everything was drawn -the different pencil strokes and sketch lines included – and painted, and how much work the animators put into it. It isn’t smooth, but at the same time extremely smooth. Frankly, I’m not knowledgeable enough about animation techniques to do it justice. All I can say is that its art style very much suits the fairy tale vibes of Wolfwalkers, and left me perplexed.
The story of Wolfwalkers isn’t too complex, but very well executed (disregarding some few minor pacing choices). I felt for the characters and it took me some time to fully grasp where the story was going precisely. The narrative especially shines in its themes, specifically the dichtomy between societal norms and personal freedom and nature. These themes work on multiple levels (just like in real life!) and are thus not only reflected in Robyn and her struggle to adjust to her new restricted life, but also to how the English (yup, they’re at it again) impose their culture and religion on the Irish people and nature itself.
All of the above, combined with a equally strong soundtrack, ensured that Wolfwalkers has made its way into my heart. Hopefully, this review can act in a similiar way to you as a certain Tumblr post once did for me. Wolfwalkers is a true piece of art with a lot of love behind it. That is a rare thing to come across.

Review: The Greenhollow Duology – Silver in the Wood & Drowned Country – Emily Tesh
In a cabin in Greenhollow Wood lives Tobias Finch. While the outside world knows him as the ‘Wild Man’, he sees himself as the steward of the wood, protecting the villagers from the evil beings that roam under the boughs. Mostly, though, he works on keeping his cabin in order. And he keeps a cat. When his new landlord, Henry Silver, a young scholar of folklore, passes by on a rainy night, Tobias invites him in. Their acquaintance will bring drastic change to Tobias’ centuries-long routine.

Review: Interstellar – Christopher Nolan
On a future version of planet Earth that is quickly becoming uninhabitable for humanity, NASA plans to save the human race by sending them through a worm hole to new planet. Former NASA pilot, now farmer, Joseph Cooper is selected to lead a mission to travel through the wormhole and find a planet that will be able to sustain the human race.

Review: Ogen van Tijgers / Eyes of Tigers – Tonke Dragt
Jock Martijn is a former planetary explorer who was fired from the service and now lives out his life in alcoholism and internal struggle as a part-time painter and creative coach for delinquent youth in the overstructured society back home on Earth. His life changes when a new rebellious youth is assigned to his group, and the space ship Evening Star returns home from Venus with two of his former colleagues, who have important news to share with the rest of humanity.

Review: Age of Myth – Michael J. Sullivan
Almost by accident, Raithe, a human warrior hunting out on forbidden lands, kills a god. By doing so, he sets in motion a series of events that will irreversibly change the relationship between humans and their Fhrey overlords. Meanwhile, Persephone must overcome loss and grief to manoeuvre the people of the human settlement of Dahl Rhen safely through the inevitable conflict – while a demon is lurking in the forst just beyond the town palissade.

Review: Torenhoog en Mijlenbreed / Wide as England, Tall as a Spire – Tonke Dragt
Planetary researcher Edu arrives on Venus for his second tour of duty exploring the area around the domed base. Even though the researchers are not allowed to venture into the tall forests that cover most of the planet’s surface, Edu is fascinated with them and dreams of taking a walk under their canopy.

Review: Wolfwalkers – Tomm Moore & Ross Stewart
It is 1650, and the English Robyn Goodfellowe and her father have recently moved to the Irish town of Kilkenny. Robyn’s father is a capable hunter tasked by the Lord Protector to exterminate a remarkably unruly local pack of wolves that have been hindering the progress of civilization. To help her father, Robyn one day sneaks out of town to the forest. Here she discovers multiple secrets and meets a mysterious girl. A fateful meeting, that will change the lives of everyone in Kilkenny and the surrounding lands forever…








