Escape Velocity

A curated Collection of Fantasy and Science Fiction Media

Welcome to the Escape Velocity Collection!

We are an opinionated group of friends reviewing all sorts of fantasy and science fiction media. Don’t forget to get to know the curators and visit our curated Collection, where we discuss the stories that never cease to transport us to another world.

Will you escape with us?

LATEST POSTS:

Time to get to know the Escape Velocity Collection’s curators! How? By asking them the questions that really matter! Let’s see what our curators have to say… 

This week’s question is:

What is the coolest bit of wolrdbuilding that you've encountered recently?

I was inspired to ask the curators this question because I was reading She Who Became the Sun by Shelley Parker Chan recently (review coming up somewhere in the near future!), and I was struck by just how much of an impact small bits of worldbuilding can have on how a book feels. I really really liked how in She Who Became the Sun, a book set in an alternate medieval China, the Mandate of Heaven was not just a cultural concept representing the favour of the gods and the right to rule, but a heavenly fire that individuals destined to rule could manifest physically. It is an awesome way to tie history and fantasy together, it made for some scenes that were great to imagine visually, and it even plays an important part in the book’s plot. Worldbuilding at its best!

Peter

Jop

I believe the coolest bit of worldbuilding I recently encountered was in Netflix’s The Sandman, with the credits probably belonging to Neil Gaiman. I thought that the way in which abstract concepts were personified – such as dreams, death and inspiration – resulted in some extremely cool stories and new ways to interpret our world and the themes we have to deal with daily. What if dreams were something we could literally force to come true? What if Death was locked up? And I’m not even speaking of the stunning visuals!

If I think of the latest pieces of media I consumed, most of them did not stand out because of their worldbuilding, but more because of their storytelling (or they did not stand out at all). There is one exception: The Great Chameleon War, a psychedelic story in a dreamscape of absurd imagery and ancient lizards that dominate the world like giant dinosaurs. This audio drama was (at first) pure discovery of the world, so actually pure worldbuilding.

Key

Lotte

I would have to say the Broken Earth Trilogy by N. K. Jemisin. A lot of fantasy media has similar worldbuilding, and I don’t think that’s a problem. After all, it can be really nice to step into a world and understand (most of) it immediately. However, this also means that when I encounter a fantasy world that doesn’t feel instantly familiar, it gives me a bit of a thrill. N. K. Jemisin gives us a universe that’s not eurocentric, has (for me at least) original ideas about magic, and left me fully confused as to where I was and what was going on. The beauty of her worldbuilding is that it absolutely makes sense; it just takes you a long time to really find your bearing. Once you do, it’s both indescribable and unforgettable.

That’s it: another soul-searching question answered!

Still curious? Visit each curator’s page to see what they’ve recently been up to!

Check out our reviews of the media discussed in this post here:

Hi all, and welcome to our update for October 2022!

At the end of the month, one of our curators looks back at what they’ve been up to over the past weeks and what we can (hopefully) expect from them in the not-too-distant future. 

This month, Jop will reminisce on the past month and everything speculative that it entailed. What was this year’s birthday haul? How many books were read on vacation? And what reviews can soon be expected?

Read on!

Past month

October was a busy month for most of our curators, myself included. Jasmijn and I went on a most welcome vacation, leaving the stormy Dutch skies for the Mediterranean sun to read books at the beach. I took this chance to reread a fantasy classic: The Hobbit by J.R.R Tolkien. My inner optimist had also brought The Lord of the Rings to reread, but instead I started my first book in The Witcher series, The Last Wish, which was waiting at the hotel when we arrived. I’ll soon work on writing the reviews. 

October was also the month of my 29th birthday. Of course, this meant a bunch of fantastical birthday gifts, such as several Pathfinder Bestiaries and a pendant to remind myself that “I am Fire, I am Death‘.

I also got Wonderbook, a extensive guide to writing fantasy and science fiction, with advice from great names like Neil Gaiman and George R.R. Martin. I’m excited to dive into this specialist literature.

But enough about me! My fellow curators offered some worthwhile recommendations, such as Netflix’s The Sandman. Furthermore, Key was either very generous or very lucky to discover two(!) five star audio dramas. 

Personally, I’m very intrigued by Lotte’s mixed-positive review of The School for Good and Evil. It sounds as a perfect movie for a lazy evening. 

Upcoming

Our curators are close to finishing Amazon’s The Rings of Power, and I’m curious to see if the finale will influence our general impression of this first season. Praise or hate? Future reviews will tell.

Meanwhile, I have some new animated shows to (hopefully) look forwards to. The fourth season of The Dragon Prince, launching in November on Netflix, and Dragon Age: Absolution, coming in December. A lot of dragons in my future, it seems. Just the way I like it!

By the way, I also received my physical copy of The River of Silver: Tales from the Daevabad Trilogy, and I can’t wait to return to this S.A. Chakraborty universe.

That’s it for this month folks!

Do you have an opinion on the first season of Rings of Power

And what upcoming media are you awaiting impatiently? 

Let us know on our socials!

Welcome to the Nesting Zone, the home of huge and ancient chameleons that have presumably woken up after millennia of sleep. Soldiers and explorers roam this hostile and reality-bending world. Someone who calls himself The Amanuansis records his travels up the slope of Mt. Tahoma and tells the stories of the people he meets.


This audio drama is absolute madness – and I am all aboard with it. A soothing voice of poetic absurdities flows over the conscious layer of your mind, only occasionally touching those parts of your brain that connect to reality. Dolphins and flamingo’s drenched in motor oil stand hypnotised and aflame at a pond of sulphuric acid. Explorers crawl through vines of memories to stand eye-to-eye with albino lizards the size of dinosaurs. And you are thrown in a lake, where a carnivorous astronaut rises from the waves to eat all sanity that is left of you.

The only flaw of this piece of art is that you have to concentrate to make any sense of what is happening. Where I normally listen to audio drama’s while doing all kind of household chores, now I could only do specific things that didn’t need any braincells at all. The second season was easier to follow – you get used to the style and it has a bit more traditional story-structure with more dialogue and character actions.

Warning: listening may induce spontaneous limb regeneration, dreams of ancient reptiles baying at the sun, and the urge to run naked into the desert until you body becomes sand.

Reviewed by:

Best buds Sophie and Aggy struggle to fit in in their provincial town, until they are suddenly whisked away to the mythical School for Good and Evil. Sophie, who dreams of being a princess, ends up at the school for Evil. Meanwhile, tomboy Aggy finds herself surrounded by vain princesses at the school for Good.

I’ve been quite looking forward to this movie, after seeing the trailer a couple of weeks ago. I was familiar with Sophia Anne Caruso from her work in the Broadway musical Beetlejuice. When she suddenly left, there was a lot of speculation about why. I found my answer to that question when I saw her in the trailer. Good for her!

Now I wasn’t particularly optimistic about The School for Good and Evil. It seems to have been based on a book, but I hadn’t heard of it. I am familiar with Disney’s Descendants movies, in which the kids of some Disney villains go to a school for princes and princesses. I really enjoyed those movies, but they are batshit insane. It’s a theme you really can’t play too straight, as there are too many questions that come up while watching. Why are the “good” kids not actually nice? How can a society of villains work, if all they do is treat each other badly? The answer, of course, is that there is no such thing as good and evil. However, having your movie end with that moral is like having your movie end with the revelation that the earth is round. Yeah. We know.

Because of all this, I wasn’t expecting to enjoy this movie very much, but I was pleasantly surprised. It’s not… good? But for me, it managed to find the right tone. It’s not extremely silly, but it also knows that it’s not some kind of cinematic masterpiece. The costumes are fun and the story is relatively simple. It’s a nice little romp through a fantasy land that you know is going to end well. None of the characters are particularly memorable, the writing is average and it’s very cliché in many ways. But who cares! Not every movie has to be a masterpiece to be enjoyable.

Now can anybody explain to me why anyone would want to date Teddy??

Reviewed by:

John Hammond, a rich industrialist with more money than sense, decides to build an incredible theme park filled with actual live dinosaurs cloned from ancient DNA. The facilities are on a remote uninhabited island, isolated from the rest of the world. Hammond’s investors, fearing safety risks, send a team to assess the park’s security. When a tropical storm strikes the island during the very first tour, the security system is immediately subjected to a thorough stress-test…

Some pieces of media are so critically acclaimed that writing a review almost feels like sacrilege – how dare I, measly hobby-reviewer, have an opinion on one of the great works of Steven Spielberg?

Jurassic Park is a bit like that, so I’m treading lightly (unlike, say, a T-rex). The reason I am still reviewing Jurassic Park is that I found out Jasmijn hadn’t actually ever watched it – which was somewhat shocking, because as a full-fledged-never-quite-grown-out-of-it-dinosaur kid it is almost impossible to imagine that there are people who do not have the memory of that T-rex encounter or the velociraptor kitchen scene engraved in their childhood brain. So basically, I am here to tell you that if you haven’t watched Jurassic Park, what are you doing with your life and clear your schedule tonight. Which, incidentally, is exactly what Jasmijn and I did.

So, Jurassic Park is a movie about dinosaurs that is older than I am. Maybe you’re expecting me to say that the special effects don’t hold up, but that you should watch it for it’s place in cinema history. You’d be wrong. Sure, you can tell in some scenes that the CGI wasn’t exactly made yesterday. But since most of the close up work is done with animatronics or people in honest to god dinosaur suits – and since a lot of the CGI is during somewhat blurry night shots – it is hardly noticeable that the movie is nearing it’s 30th birthday. Some of the pacing is a bit different from what we’d expect today, but once disaster starts to strike, I guarantee you’ll be on the edge of your seat. I’m not exactly a fashion enthousiast, but it even feels like a lot of the clothing in the movies is actually getting back in vogue these days.

Jurassic Park does not have a particularly sophisticated message or subversive twist. It lays it on thick sometimes. It might not surprise you. It neatly fits the classic movie model. But it is just incredibly well made, with lovely little touches like always showing the humans’ reaction to the dinosaurs before aiming the camera at the prehistoric beasts that are the real stars of the show. And of course, the premise is the absolute best. I think Jurassic Park is a movie for everyone, as I am sure Jasmijn’s review will confirm.

I’m subtracting half a star because being controversial is fun (if I was just going to give this a five star rating, you might not be reading this review!), and also for the liberties Spielberg and his team took in their depictions of dinosaurs (both the ones they should’ve known about and speculation that was subsequently disproven by later paleontological research). You know I’m a stickler for historical (and apparently, prehistorical) accuracy: velociraptors are way smaller than that, and also have feathers. I once outran a T-rex on a bike (though it was hard work) in my local museum T-rex experience (set up when they acquired their T-rex skeleton), so a Jeep shouldn’t have any trouble. No way a brachiosaurus is going to stand up on its hind legs. Etc. But don’t let my pedantry get in the way of having fun – they mixed in frog DNA, so for all we know a cloned dilophosaurus might actually spit poison…

I’ll be honest, I haven’t read Crichton’s book yet (please forgive my hypocrisy, I originally watched it before I decided on my rule to always read the book first), but now that I’ve re-watched the movie, that’s itching a bit. Sigh. Another one to put on the list.

This was my fist experience with the Jurassic World-franchise and I must say that I was amused. The story goes where you expect it to go and if the movie was filmed today I would hope that the cast would be more diverse – it is a product of it’s time. However, none of these issues break the movie. The characters rely a bit on stereotypes bus they have their twists and turns along the way. Overall, I was having a good time.

I watched this movie with Peter because dinosaurs are awesome and in that area the movie did not disappoint. For a movie that was made in the nineties, the way they decided to bring those dinosaurs to life on screen still holds up quite well.

Why had I never tried to watch this myself? I was a little afraid that the story and visuals would be gruesome (rampaging dinosaurs, lots of blood everywhere), but I was pleasantly surprised. This is a movie that can be catered to a younger audience as well, the bits that could be seen as ‘gruesome’ still have a slapstick-y element.

Next stop: the natural history museum, because I need to see the dinosaurs!

See also:

No posts found!

Reviewed by:

In a highly surveilled future Los Angeles, mind-readers are outlawed. Sid and her family have spent years trying to protect her true identity as a ‘reader’, but this becomes harder and harder when for the first time in years, a string of murders takes place. And then Sid meets Andie, a mysterious woman she falls head over heels for, but who is not who she seems to be…


Sometimes you read or watch or listen to new media and you wonder whether you have lost the capacity to truly love something. Everything is just ‘good’ and you think you have just become more critical. But then something comes around that reminds you: if it’s really good, you’ll know. Narcissa absolutely did this for me.

Although the summary above is not particularly exciting, the execution of this audio drama is amazing. The performances of Dianna Agron (Sid) and Maria Sten (Andie) are stellar, the characters are believable and complex,. the writing is exactly the amount of show-don’t-tell I love and the sound really feels like it’s coming from all around you. Where I sometimes get the feeling that an audio drama is written and produced by someone who is more into novel writing or film making, here the makers of QCODE definitely know what they are making and how you build a story through sound.

And oh, right, I almost forgot: the sex is HOT.

The only critique I can give is that the end falls a little flat in the sense that I did not know if episode 8 would be the last one. I had to wait a week before I dared to conclude the series was over. The main storyline had wrapped up in episode 8, true, but there was still an opening for a twist. And at the same time, a whole new can of worms had just opened up that would drive the story forward. I guess – and definitely hope – that those worms will be tackled in a next season.

Review: Jurassic Park – Steven Spielberg

Some rich guy with more money than sense decides to build an incredible theme park filled with actual live dinosaurs cloned from ancient DNA on an isolated island. His investors, fearing safety risks, send a team to assess the park’s security. When a tropical storm strikes the island during the very first tour, the security system is immediately subjected to a thorough stress-test…

Read More »

Review: Narcissa – QCODE

Sid and her family have spent years trying to protect her true identity as a ‘reader’, but this becomes harder and harder when for the first time in years, a string of murders takes place.

Read More »