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Jop
Peter
Jop: It’s me. The noob in the title, that is. I’m ashamed to admit I’ve horribly neglected the science fiction genre in the first three decades of my life. In fact, I could count the science fiction books I’ve read on only one hand. Yeah, I’ve got little excuses…
Though, mayhaps this was a blessing. Why? Well, now I’ve got this whole new genre to explore. I’m somewhat of a tabula rasa, a fresh pair of eyes. Through my journey of exploration, others get the chance to relive and reevaluate their own science fiction experiences! Why did they fall in love with this genre? Do they recognise themselves in my growth and/or growing pains? And if they are science fiction noobs like me, which paths should they tread to successfully evolve?
Today, I’ll reflect on my first experiences with science fiction so far. Luckily, I’m accompanied by Peter, who’ll be something of a mentor character to me on this journey. Together we’ll take a look at science fiction’s wide range of stories, and see if I’m on the right track or in desperate need of some guidance. Let’s begin!
Check out our other posts on content mentioned here:
Let's start somewhere simple: what is Science Fiction?
Perhaps I’m approaching it too scientifically (pun not intended), but first I’d like to establish a clear understanding of what science fiction is as a genre. I know, this is tricky business. The boundaries of genres are by nature quite elusive. However, it’s something I occasionally still wonder myself.
Like I already said, you’re the veteran here, Peter. I’ll shamelessly pass the difficult questions on to you. Could you share a brief explanation of what you believe is the essence of science fiction?
Straight to the essence, then? I believe that at its core, science fiction is the speculative genre that deals with the consequences of (hypothetical) future events for our society. Stereotypically, those future events are advances in science and technology, but other subgenres, such as alien invasion stories or cli-fi, deal with different types of futures.
I think it is worthwhile to pause here and note that that definition differs from what society at large tends to label as science fiction. People less invested in these kinds of debates treat science fiction more as a setting or a visual style and less as a genre: any media that include elements of advanced technology or space travel are in their eyes science fiction. The textbook example is George Lucas’ Star Wars, which features spaceships and laser guns, but really never delves into the meaning of space travel for the society that it portrays. There’s also magic. Is that science fiction? Most people would probably say yes, but it doesn’t fall within the scope of my definition above.
I will stay away from unnecessary pedantry. I’m not saying these people are wrong. But I think the above distinction is important to understanding, as you requested, the ‘essence’ of science fiction. There is a lot of media out there that is branded ‘science fiction’, that is really very much akin to fantasy in a high-tech costume. And in that case, whether you prefer one or the other is mostly a matter of taste, since those stories offer similar rewards.1
I believe that the ‘ideal’ ‘true science fiction’, on the other hand, differs from fantasy stories in two important ways: first, it is grounded in our reality, and (mostly?) obeys all the same laws that our world does; and second, it is an honest attempt at exploring how our reality would change as a result of hypothetical future events. The essential exploration, therefore, tends to be one of society, not character.2 Science fiction is an inherently political genre in a way that fantasy just isn’t, and I think that is the essence that sets it apart.
Fair enough. We’ve discussed this a little before in the past, and I think it’s an interesting distinction. Without favoring one interpretation above the other, it clearly shows how diverse the science fiction genre can be.
I notice that your definition emphasizes the importance of (hypothetical) future events. To further clarify, does this mean that science fiction, if it’s a story in our world, can never take place in the past or present?
Well, I’m a lawyer so I can tell from practice that almost no definition is watertight. Stories set in the present can clearly be science fiction – they tend to extrapolate from the now into a possible future. Stories set in the past are slightly more complex – 1984 didn’t cease to be science fiction in 1985. And if your alien invasion story is set in 2001 rather than 2021, I wouldn’t necessarily say that makes it alternate history. If you write a story where Da Vinci invents a rocket to the moon, or a laser gun, however…
That means you sometimes run into interesting situations – is Jules Verne’s Twenty Thousand Leagues Under the Sea science fiction? Is it steampunk? Is all steampunk science fiction? I’ve seen people classify steampunk without sufficient science fiction elements ‘gaslamp fantasy’, I’ve seen others rule out every story with mystical elements as science fiction. At that point, I feel as though we’re categorising for the sake of categorising and not because the category helps our understanding of what we’re reading.
I think what is important to keep in mind, is that the speculative elements in science fiction should aim to, or should be able to, speculate about the impact of hypothetical future events on a society that is in important ways like our own.
Very well, with that good working definition in our pockets, I believe we can dive deeper into our respective science fiction journeys…
Looking back: The Journey so far
Peter, let’s prove why you’re a veteran and I am…not. When did you first come into contact with science fiction and what were some of the most formative media you’ve enjoyed since then? Afterwards, I’ll contrast your experiences with mine.
My parents are massive science fiction fans (devouring hundreds of pages every holiday since they were still in university), so the book (and movie) shelves in the family home have always been well stocked with sci-fi stories. I know I just made a case that Star Wars isn’t science fiction, but…my dad is a fan, and I was probably about six years old when I was first confronted with its visual style. I’ve been hooked on sci-fi since.
It’s a (relatively mediocre) shot of my parents’ “old-timey” sci-fi shelf (there’s some secret fantasy intruders, but ignore those) with mostly books from their uni years – can you imagine people used to read in translation back then?
Many of my early experiences with science fiction were with the classic stories from the second half of the last century that straddle the divide between fantasy and science fiction: Jack Vance, Julian May, A.E. Van Vogt – mostly because that was what was readily available on my parents’ shelves. I loved my lego Star Wars sets to bits, loved the lego alien space station the boy next door owned. I started drawing and imagining my own mechas (imaginatively dubbed ‘superrobots’) when I was maybe seven years old. I started playing Warhammer 40K when I was about ten. By then, I had fallen in love with science fiction as a setting.
When I grew a bit older (about high school age) I started reading more of the science fiction that I would describe as ‘true science fiction’. Looking back, that’s sometimes still pretty young to be reading about the societal problems caused by advancing technology, but back then I didn’t mind. I particularly loved (and still love) Asimov’s robot novels.
From there, there’s really too much to list. I’m sure many of our readers have read even more than I have, and there are tons of books and games and other media that I should really get to that are gathering dust on my various shelves of shame. There is just so much out there to explore! I feel relatively comfortable, however, saying that I have a lot of experience with science fiction stories – and if you will accept me as such, I would love to be your mentor throughout this tale.
You’ve convinced me! I can’t think of someone I’d rather have on this specific journey.
As for my experience… I believe that my first taste of science fiction also relates to Star Wars. When I was six or seven years old, I played the Phantom Menace video game at a friend’s place and later watched the movie. It didn’t make much of an impact, but I thought it was fine (unpopular opinion, but I remember thinking Jar Jar was funny). It then took something like ten years before I binged the other movies with my then brother-in-law. I can’t remember any other science fiction experiences in that ten-year gap, probably because I was busy with consuming as much fantasy as I could get my hands on.
That brother-in-law did his best though. He also introduced me to The Matrix trilogy, which I found intriguing. During high school’s philosophy lessons we watched several other science fiction classics, such as 1984, and movies such as A.I. by Steven Spielberg. I also watched a handful of mainstream science fiction movies (Inception) and a load of disaster movies (that were almost science fiction) and first contact movies, but most of these were primarily focused on the action scenes and not so much on any interesting (political) implications.
It was also around this time I started watching The Walking Dead, a franchise that technically fits the stated science fiction definition, I believe? Correct me if I’m wrong. If it counts, however, the themes and setting of the The Walking Dead-universe were the first time a science fiction medium truly grabbed me for a longer time period. Especially the Telltale Games. Since then I’ve discovered I quite like post-apocalyptic settings.
In more recent years I’ve watched series such as Sense8 (which I truly loved), Black Mirror and The 100. My Bioware sister, Lotte, urged me to play the Mass Effect games, which I of course did. And you introduced me to Dune, the first real science fiction book I’ve ever read. Another science fiction constant in my life would be the tabletop roleplaying campaign (Seed of Mars) you’ve been running over the last few years. That’s about it, actually.
What do you think?
Well, you’re certainly no veteran but compared to the general populace, I don’t think you’re doing that poorly.
Interestingly, it looks as if you have almost never picked up a science fiction story because you wanted to yourself, but always because others recommended (not to say: pushed) you to give them a go. So… do you even really want to delve into science fiction? Or is it peer pressure again? Do you need a safe word?
You know what, that’s actually a rather fair observation you make? Wow…
However, my current wish to delve deeper into the world of science fiction is entirely intrinsically motivated (as far as I can determine, in any case… but that’s good enough for me!).
Bring it on!
Looking inward: Where has the Journey brought us until now?
I’m glad you really want to take this dive! Before we pick our first stepping stones, let’s take one final look at your experience with science fiction so far. We have quantified our experience – I have a lot of experience, and you have less – but we haven’t qualified it. You’ve experienced a few sci-fi tales – how has it been for you so far?
Good question. Overall my feelings are quite ambivalent, actually. There were some things I really liked – mostly the stories that were centered around a specific interesting concept, as they do in Black Mirror – but on the whole I’ve yet to find something that rocks me to my core. Something that will haunt me for years and convinces me that the science fiction genre deserves more time/love than that I currently give it. Perhaps I’m asking too much, but I’m aware I’ve only dipped my toe in the vast ocean of science fiction media. There must be something somewhere that will sweep me off my feet, I’m sure of it. Something that touches my heart as well as challenges my brain.
We all know that you have experienced a tonne of fantasy stories, and that many of them did, in fact, rock you to your core. I argued above that a lot of science fiction is really fantasy in a high-tech costume. Could you put your finger on why stories set in space haven’t resonated with you in the same way that those set in an alternate medieval Europe have?
Robin tends to say she rather reads a story that takes place in a forest than a story that is set on a spaceship. Why? Because she enjoys mystical atmospheres and a focus on natural elements, as is predominant in fantasy.
Robin’s explanation might seem a little reductive, but it resonates with me. I don’t really like technology. Don’t take this wrong, I’m not a technophobe or anything. It has brought humanity a lot of good things, and I think it can offer extremely interesting questions and plot points for science fiction stories. However, in and of itself I don’t find technology very… romantic. I think it reminds me too much of our current world. This would also explain why I have a soft spot for post-apocalyptic settings; the technology in these worlds is often strongly diminished, if not completely faded away. As this usually comes with nature reclaiming earth, the aesthetics become more like that of fantasy.
Just look at this beautifully desolate setting, a future in which zombies toppled human society. Structures are crumbling and nature is taking over. Bonus points when a new layer of ‘civilization’ is built upon the ruins of the former.
However, I believe there’s more to it, though I find it hard to put it into words. For example, why do I love Dragon Age, but thought Mass Effect was…just fine, while they are in many ways very similar games?
It might have something to do with science fiction’s pursuit to at least appear scientifically plausible, even if it’s almost fantasy in most other aspects. This comes at the expense of mystery and wonder for me. For example, I prefer my magic systems soft or medium rare. I don’t wish to know all the rules, as long as they are vaguely implied. With science, however, I’m inclined to chase after the rules with the intent to really understand them. Then, there are roughly two outcomes; 1) everything is logically sound and therefore, I lose a sense of mystery, or 2) there are some grating holes in the ‘science’, which lessens my enjoyment of the story.
I’ll admit though, I still have some soul searching to do before I can satisfactorily answer this question.
So let’s embark – or maybe I should say – continue our way – on that journey!
Looking forward - Whereto?
If this is indeed a hero’s journey, I have only just yet passed the threshold. I still have much to learn.
Peter, I’m your Padawan; guide me. What media should I – and all those who wish to join me on this path of enlightenment – consume for the next leg of this journey?
That’s a tough question because there is an overwhelming abundance of choice. But I think we should try to limit our selection to media closer to the ideal of ‘true science fiction’.
Sounds good to me! As these are to be my first real steps, perhaps something from the earliest days of science fiction to start with? Some classics that helped define the genre, so I can see where it all began?
I think that would be a good place to start! I know some of you readers are already (mentally) shouting names at your screen – but we have to pick so we’ll have to disappoint some of you. I’ve decided not to ‘take it easy’, but rather to go for some of the most iconic authors of the genre and some hard sci-fi.
I’m glad you already read Dune, that’s one classic already ticked off. In the end, I’m going to go with a number of works by three authors: I, Robot by Isaac Asimov, because Asimov is synonymous with classic sci-fi and I love it myself; Do Androids Dream of Electric Sheep, The Minority Report, and I Hope I Shall Arrive Soon by Philip K. Dick, because I think Dick’s writing offers an interesting mix of different classic ideas and settings, and finally Consider Phlebas by Iain M. Banks – a little different from the golden age stuff, a little more modern, but still a classic – and I think the Culture is a fascinating setting to explore in getting to know sci-fi.
Let me know once you’ve finished them, and we’ll see what you think. In the meantime – enjoy!
So, are any of you fantasy fanatics with no sci-fi experience? Or maybe sci-fi aficionados who never picked up The Lord of the Rings? Let us know on our social media!
1. Yes, ‘sci-fi setting’ stories may contain elements of ‘true sci-fi’ that fantasy stories will not, but I’m trying to make a point here, and too much nuance would kill it dead, and also make this conversation twenty pages long.
2. Jop and I have discussed this position at length, and maybe one day we’ll write you a little something delving into this as well!Jop and I have discussed this position at length, and maybe one day we’ll write you a little something delving into this as well!
- Video Game developed by Telltale Games & Skybound Games
- Released in 2018
- Singleplayer narrative adventure game
- Platforms: Microsoft Windows, PlayStation 4, Nintendo Switch, Xbox One
- Playing time: 8-19 hours
- Fourth and final season in Telltale’s The Walking Dead series
Clementine is finally reunited with AJ, the boy she has sworn to take care of. However, raising a child in a zombie apocalypse comes with many challenges. Where will she find enough food to keep them both healthy and strong? And will she teach him solely to survive, or also to live?
Ah, yes. Another one of my all-time weaknesses. My video game daughter, Clementine…
Those who are familiar with the Telltale Games’ The Walking Dead games will understand what a journey it has been, watching Clem evolve from an innocent 8/9 year old into a strong, independent survivor in her mid-teens. A journey that almost ended prematurely when Telltale Games went bankrupt at the moment the Final Season was only halfway done. Luckily, we still got the closure we deserved.
It’s funny. I like The Final Season the most out of the whole series. Though this game is not entirely without flaws, its story and themes are more cohesive than previous installments. The setting – a boarding school inhabited by children and teenagers – is a perfect fit for Clementine as a main character. For the first time Clementine is amongst equals, and thus in a situation that it makes sense that others look to her to make difficult choices that guide the story. Additionally, I really liked the cast of characters (including the antagonist), as all of them play into Clem’s inner battles one way or another. This is especially true for her relationship with AJ, the two potential love interests, and the main antagonist.
On the other hand, much of what makes The Final Season great, is that it can build on the fundaments of its predecessors. The parallels and backstory strengthen the narrative. Though this game is quite solid on its own, I think it loses a large part of its (emotional) depth when one should play it as a stand-alone.
There is much to love in this game. The voice-acting, art and design, among other things. Still, I’m most fond of the difficult choices this game throws at you. Raising AJ, carefully balancing morals with surviving instincts, was one of the most challenging though pleasing elements for me. Furthermore, I’ll always fondly remember the thrilling suspense of the third episode, even though my heart will never quite recover from the stress.
In conclusion, a beautiful ending to the story of one of the most iconic characters in gaming history. Love you, Clem <3
See also:
Tagged:
- Adventure, Atmospheric, Character-Driven, Found Family, Grimdark, Horror, LGBTQ+, Microsoft Windows, Nintendo Switch, Parent-Child, Playstation 4, Point-and-Click, Post-Apocalyptic, Science Fiction, Sequel, Single-player, Stand Alone, Thought-Provoking, Video Game, Violence & Gore, Xbox One, Zombies
Jop
Check out our reviews of the media recommended in this post here:
It’s World Religion Day today!
There’s little doubt that religions play a big role in our world, for good and for bad. This also means you can use religious themes to tell a lot of interesting stories in our fictional worlds. Luckily, there are fantasy authors who did just that.
The religion scholar within me is not easily pleased when it comes to self-constructed religions and the incorporation of religious themes in speculative fiction. However, here are two stories that thoroughly impressed me in these regards.
The Daevabad Trilogy
First on the list, The Daevabad Trilogy, written by S.A. Chakraborty.
The story of this trilogy is loosely set in our own world, in the Middle-East. As such, it heavily draws from the mythologies and religions of these regions. The Islam and Zoroastrianism, in particular. Chakraborty uses these various elements in her own worldbuilding and manages to create a captivating setting that is still respectful of the source material.
This is already an impressive feat in itself. Still, Chakraborty also succeeds in telling a story in which the different aspects of faith, both beautiful and ugly, come into light.
Religious themes aside, The Daevabad Trilogy consists of a thrilling plot and well-developed characters. Definitely a recommendation, even if it’s not World Religion Day!
Small Gods
Something a little more manageable than a whole trilogy, is Small Gods by Terry Pratchett.
This story revolves around a god that’s down on his luck, who has to rely on a humble novice to try and regain his divine powers. In a true Pratchett fashion, this premise is used to tell a humorous story laced with philosophical contemplations. What if deities rely on their followers for their divine powers? What distinguishes institutional doctrines from personal faith?
Small Gods is the perfect book to low-key dive into religious philosophy, without actually having to wade through long-winded texts by incomprehensible scholars. What’s not to love?
Hopefully this list has given you some suggestions you weren’t yet familiar with! If you read any of these books, let us know what you thought of it.
- Book written by S.A. Chakraborty
- Published 11 June 2020
- Part 3 in the Daevabad Trilogy
The world will never be the same. Suleiman’s seal has left Daevabad and the magic of the djinn has faded away. In addition, the merciless Manizheh now controls the capitol.
Left to their own devices, Nahri and Ali must search for a way to make things right. A mission that might lead them to allies that are even more dangerous than the ones they are currently fighting…
Wow. With this book, Chakraborty once again managed to write something both beautiful and epic. A worthy conclusion to an amazingly original trilogy.
Apart from a few suboptimal pacing decisions, The Empire of Gold has everything one might desire in the final installment of a trilogy. Not only are all mysteries sufficiently clarified, but every character gets a fitting ending to their arc. Some of it might be heartbreaking, but ultimately everything feels at its place.
To name some spoiler-free elements that particularly impressed me:
- The scene with Nahri’s real name
- The revelations of Nahri’s family history
- The conclusion to Dara’s arc
- The almost fateful machinations that bound the main characters together, long before the trilogy’s story even began.
I must admit I was initially doubtful that all loose ends could be neatly tied up, but Chakraborty managed it. The few open endings that remain are deliberate. Interesting enough to simply spark your imagination about the other stories that could be told, but not so large as to be frustrating.
By the way, I once again want to express my appreciation for the way in which Middle-Eastern mythologies are incorporated in these books. This time some Egyptian elements – amongst other things – came to light, and I can’t help but appreciate the thoughtful creativity behind it. Bonus points for the excellent religious representation.
In my opinion, this trilogy deserves every praise it gets.
Tagged:
- Book written by Terry Pratchett
- Published in 1992
- Stand alone in the Discworld universe
The Great God Om manifests himself on Discworld once more, ready to herald a new age. To his own distress, however, Om finds himself trapped in the body of a lowly tortoise, stripped of his divine powers.
The only person who seems to understand Om is the humble novice Brutha. But will the aid of this person be enough to reclaim Om’s powers?
I haven’t read as much Terry Pratchett as I should, but I have read this masterpiece.
In his typical humorous and satirical way, Pratchett uses Small Gods to reflect on some fascinating religious and philosophical themes. What if deities gained their powers from the faith of their followers? What is the difference between institutional worship and personal faith?
Though these subjects could quickly become heavy, they are continuously lightened by the plot and Pratchett’s humor. If you want to low-key dip your toes in religious/philosophical theories, this is great book to start with!
See also:
- Book written by S.A. Chakraborty
- Published 22 January 2019
- Part 2 in the Daevabad Trilogy
Marked by Dara’s devastating escape attempt, both Nahri and Ali struggle to adapt to their new roles. Nahri , as the new Banu Nahida, is a beacon of hope for her people. However, Daevabad’s deathly politics threaten her every move. Meanwhile, Ali is a degraced prince living in exile, who just can’t seem to escape his family’s reach.
Neither Nahri nor Ali know of the greater danger that’s growing in the shadows, biding its time…
Whereas The City of Brass pulled me in, this sequel grasped me. In fact, it might be one of the best books I’ve read in the last few years.
With all of the build-up out of the way, Chakraborty has her hands free to weave an interesting story in which all of the established mysteries and characters get a chance to blossom. The political plots are further deepened and none of the characters are safe. Tension lurks in different corners throughout the story, and you can never quite tell what will happen next. Eventually, this all culminates in an utterly satisfying climax.
It seems some readers were disappointed with a timeskip that happens quite early in the book. However, I don’t share this sentiment. On the whole, I have very little critique. For me, Chakraborty took everything that was good about The City of Brass and improved on the elements that needed it. I understand that some people didn’t like the fact that the story moved away from its ‘young adult’-like atmosphere and romances to focus more on the political side of things. Indeed, one might say The Kingdom of Copper is a different kind of story when compared to The City of Brass in those regards. All I can say is that I wholeheartedly enjoyed reading this sequel.
If you liked The Kingdom of Copper, I can already tell you that the third installment of this series, The Empire of Gold, will be worth your while.
Tagged:
Curator Conversation: The Journey of a Sci-Fi Noob (Part 1)
In this series, we will introduce on of our curators to a whole new genre – science fiction! Will sci-fi prove as addictive to Jop as fantasy has always been? Read the first part to find out!
Review: The Walking Dead: The Final Season – Telltale Games
Review of the video game The Walking Dead: The Final Season by Telltale Games.
Clementine is finally reunited with AJ, the boy she has sworn to take care of. However, raising a child in a zombie apocalypse comes with many challenges. Where will she find enough food to keep them both healthy and strong? And will she teach him solely to survive, or also to live?
Recommendation: Books to read on World Religion Day
Recommendation: It’s World Religion Day! Time to celebrate two stories that expertly explore the complicated themes that are inherent to religion, spirituality and faith.
Review: The Empire of Gold – S.A. Chakraborty
Review of part 3 of the Daevabad Trilogy
Left to their own devices, Nahri and Ali must search for a way to make things right. A mission that might lead them to allies that are even more dangerous than the ones they are currently fighting…
Review: Small Gods – Terry Pratchett
Review: The Great God Om manifests himself on Discworld once more, ready to herald a new age. To his own distress, however, Om finds himself trapped in the body of a lowly tortoise, stripped of his divine powers.
Review: The Kingdom of Copper – S.A. Chakraborty
Review of part 2 of the Daevabad Trilogy
Marked by Dara’s devastating escape attempt, both Nahri and Ali struggle to adapt to their new roles. Neither of them are aware of the great danger growing in the shadows, biding its time…
