Welcome to the Escape Velocity Collection!
We are an opinionated group of friends reviewing all sorts of fantasy and science fiction media. Don’t forget to get to know the curators and visit our curated Collection, where we discuss the stories that never cease to transport us to another world.
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Jop
Check out our reviews of the media recommended in this post here:
Recently, Jasmijn and I reviewed Netflix’s Centaurworld, an animated fantasy series with some surprisingly deep layers. Luckily, the days in which animated productions are solely aimed at children are long behind us. Most productions nowadays are suitable for both kids and adults that are looking for animation with stories of some substance. Parents no longer have to necessarily suffer through endless screaming, flatulence humor and non sequitur storylines while their children are watching television.
In today’s recommendation, we wanted to highlight some thematically strong animated series that are fun to watch with your children. Alternatively, if you simply have a sweet spot for animated series also marketed towards children, we reckon you’ll also love these following suggestions! All fantasy or science fiction, of course!
Steven Universe
First on the list, Cartoon Network’s Steven Universe, created by Rebecca Sugar. This wonderful coming-of-age story revolves around a young boy called Steven, who lives his life with the Crystal Gems, three magical, humanoid aliens. Being half-Gem himself, Steven helps the Gems to protect the world, meanwhile struggling with the legacy of his dead mother and the normal struggles of a child’s life. Though the first few episodes might at first seem nonsensical, Steven Universe will quickly surprise you with intricate worldbuilding, lifelike characters and emotional pearls of wisdom. Furthermore, this series contains some catchy songs and also subtly deals with LGBTQ themes.
Avatar: the Last Airbender
Though it seems improbable, there are still too many people who haven’t seen the second recommendation on this list: Nickelodeon’s award winning Avatar: The Last Airbender. This series, heavily drawing from (East-)Asian imagery and cultures, tells the story of Aang, last survivor of his nation as well as the Avatar, the one destined to bring peace and balance to the currently war-torn world. As one might expect from such a premise, this series deals with some fairly heavy themes, however, it always manages to balance it with light-hearted humor. Furthermore, Avatar: the Last Airbender‘s **story comes astonishing worldbuilding and some of the best character arcs ever written!
She-Ra and the Princesses of Power
Third on my list is Netflix’s She-Ra and the Princesses of Power, the story of an invader force’s captain, who suddenly realizes that she might be fighting for the bad guy and might actually be the prophesied hero of the other side. It’s an action-filled story of epic scale, full of twists and turn, as well as natural (LGBTQ) diversity. An interesting science fantasy setting with flawed (but funny) characters that is certain to keep you entertained!
Rapunzel’s Tangled Adventure
Finally, I’d like to draw everyone’s attention to Disney’s Rapunzel’s Tangled Adventure (sometimes also known as simply Tangled: The Series). A spin-off to the 2010 movie Tangled, this series is centered around Rapunzel’s adventures after the 18 years she was locked up in a tower. Despite a fair share of filler episodes, Rapunzel’s Tangled Adventure also comes with a few solid (and at times suspenseful) storylines and character arcs ( Cassandra <3). Themes include: recovering from trauma, social privileges and how to deal with intense responsibilities. Last but not least, the voice-acting and animation are sublime, and occasionally supported by powerful songs performed by musical stars such as Eden Espinosa and Jeremy Jordan.
Hopefully this list has given you some suggestions you weren’t yet familiar with! If you do watch any of these shows, let us know what you thought of it on one of our social media channels.
- Board game designed by Daniel Solis
- Illustrated by Scott Hartman, Kwanchai Moriya and Mirko Suzuki
- Published by ActionPhase Games
- Published in 2016
- Card game, 2-5 players
- Playing time: 30 minutes
- Age: 14+
Kodama is a card game where you take care of a tree by placing cards to grow its branches. By choosing cards with the right symbols, you collect points over three growing seasons. At the end of each season, one of the Kodama (tree spirits) will award you extra points based on how well you have chosen your cards to suit its needs.
This is a pretty quick game, perfect for when you have about half an hour to kill before dinner. It has very beautiful artwork and I really enjoy how your tree looks after you have been adding branches to it for a couple of rounds. There is not a lot of interaction between the players, you are mostly just focusing on building your own tree with the cards that are available to you. However, since a turn only consists of choosing and placing a card, you are not endlessly waiting for other people to finish their turn. The game is partly based on luck, but mapping out a good strategy at the beginning can get you pretty far. Because the Kodama that you are dealt at the beginning are different every time you play it, your strategy has to change too. So far, this has kept the game interesting to me even after having played it quite a number of times already.
Look, anyone who knows me, knows that I don’t like tabletop games. It’s just not my thing. I like learning new things, just not “live” in front of people, and especially not if someone’s going to end up winning but it won’t be me because I didn’t know the rules from the start.
Occasionally I will be convinced to play one, as was the case with Kodama.
I’m pretty smart, but the rules sounded complicated at first. They always do, though. I don’t usually try to keep up because I never understand board game rules when I hear them explained. I also don’t read instructions and often skip tutorials in video games. It’s a personality flaw and I get that. I’ll keep doing it, though.
ANYWAY, it was actually very easy when we started playing it. The art is cute, too.
I didn’t win so it could have been more fun, probably.
I think Robin summed it up pretty well in her review: Kodama is a nice fast-paced game with captivating artwork and a good replayability. Although luck is part of the game mechanics, the right strategy could still bring you victory.
Personally, what I really like about this game is how it invokes my inner peace. I don’t have to anticipate other gamer’s moves and can just focus on my own tree. Because I’m usually not a very competitive player, Kodoma’s set-up is perfect in that regard.
Kodama looks beautiful and is quite fun to play with a non-competitive mindset. However, on the part of game mechanics it is limited. The way you score points is simple. It gives you a little bit of space for strategic gameplay, but no more than that. As for placing the cards, they rarely fit perfectly. And if you want them to, you can place very few. Therefore you need a good deal of collective leniency to play this game. Kodama can be a nice little group activity, but as a game, it does not offer enough for me.
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Hi guys, and welcome to our first Monthly Update!
Collection
This month, we’ve been busy building up our Collection. We started by adding some classics, such as Peter Jackson’s The Lord of the Rings and The Farseer Trilogy. Both of these are widely loved by our curators. Another classic, Frank Herbert’s Dune, is a little more controversial in the group. What is it about Dune that makes it so good? Peter will tell you all about it here!
Reviews
Review: Dune: Part One – Denis Villeneuve
Review: Centaurworld – Netflix
Review: Piranesi – Susanna Clarke
Review: Dune – Frank Herbert
Review: Miss Peregrine’s Home for Peculiar Children – Tim Burton
Review: On a Sunbeam – Tillie Walden
Review: Howl’s Moving Castle – Hayao Miyazaki
Review: The Unsleeping City – Dimension 20
Review: The Witcher: Nightmare of the Wolf – Netflix
Review: Assassin’s Apprentice – Robin Hobb
Review: The Return of the King – Peter Jackson
Review: The Two Towers – Peter Jackson
Review: Assassin’s Quest – Robin Hobb
Do you need a new thing to read/watch/play? We’ve been busy reviewing a nice mix of media this month. A lot of Fantasy, with the exception of Frank Herbert’s Dune. Peter has been verrrry excited about the new Dune movie, so be sure so check out our reviews on that!
Other Posts
Do you want to get to know our curators a little better? Be sure to check out our two curator question posts, where each curator answers a question about the things they like in Science Fiction and Fantasy media. This month: Who is your favourite mentor character? and How do you prefer to read (or listen to) books?
On top of that, we have a recommendation post for those who like their Fantasy media a little more on the light hearted side. Be sure to check out the post here to see what Lotte thinks you should check out next!
That’s it for this month folks! If you want to be kept up to date, be sure to follow us on your favourite socials to know exactly when we post!
- Movie directed by Denis Villeneuve
- Based on the novel Dune by Frank Herbert
- Starring Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Stellan Skarsgård, Zendaya, Jason Momoa, Javier Bardem, Dave Bautista, and others
- Released 22 October 2021
- Runtime: 156 minutes
- Part One in the Dune movie trilogy
In Denis Villeneuve’s adaptation of the first half of the classic sci-fi novel Dune by Frank Herbert, House Atreides receives orders to take control of the planet Arrakis, the rich desert world that produces the spice that allows for interstellar traffic, and take control of the fief from their arch-enemies, the Harkonnens. Paul, the Atreides heir, must quickly learn to be at home on a foreign planet in the ensuing struggle, as Harkonnens, the desert, and the Fremen, the planet’s native inhabitants, close in on the new rulers.
I have literally been waiting for this movie to happen for years, and since the moment Villeneuve was announced as the director, I’ve been on a hype train without breaks preaching to everyone who wanted to listen (and those who did not find an excuse quickly enough) about how great this movie was going to be. I forced the people in my book club to read Dune. I forced my parents to reread it. The hype train only sped up when the first shots and later the trailer came out. My girlfriend baked cinnamon buns and cinnamon cookies to eat in the cinema when we finally got to go.
AND VILLENEUVE DELIVERED!
It is as if Villeneuve and I had the exact same experience reading the books. He managed to translate what Dune is to the screen so incredibly well I still have a hard time believing it.
To start, the visuals of this movie are absolutely stunning. The space ships, machinery, ornithopters, everything is beautifully designed. The size of the transports and sandworms are awe-inspiring. Villeneuve understands the importance of the planet to the story, and gives us ample time to admire the different types of desert that Arrakis has to offer. Every other shot just completely knocks you over in your seat with the immense scale of it all.
The casting is equally spot on. Rebecca Ferguson as the Lady Jessica and Stellan Skarsgård as the Baron Vladimir Harkonnen particularly stand out to me as the perfect faces for their role, but in my opinion, there are no duds in this movie’s casting. Sadly, not every actor gets their chance to fully flesh out the iconic character they are portraying, but that is an unfortunate byproduct of the medium – a movie can simply fit less story than a book.
That leads us to the question – how does Dune do as an adaptation of its source material? I think we can be glad that Villeneuve decided to split book over at least two movies, for as his – very faithful – adaptation goes to show, there is so much worldbuilding in Dune that it threatens to bog down the movies at times. I am in love with the books so perhaps ask Lotte whether she felt she understood everything, but I can imagine it is a lot to take in if you are not familiar with the novel. The result is also that the ending is not the stongest. It does not end with a cliffhanger – but with a large portion of the central conflict unresolved.
What is most important though, I think, is that this is an adaptation of the story that ticks almost all the boxes with fans of the novel: it tries, and achieves, to capture not just the same spirit, but also the same plot beats and visuals based very closely on the book’s descriptions.
So can people who do not light a candle at their Frank Herbert altar every night like me expect a similarly satisfying experience? I think yes, because even though the movie might be long and a lot might happen, none of it is filler and every shot individually keeps you on the edge of your seat. You’ll definitely walk away a little exhausted, but Dune, I feel, is a phenomenon in the making.
Just as it is often posited that Herbert’s novel is to sci-fi’s what Tolkien’s The Lord of the Rings is to fantasy, so Villeneuve’s Dune wants to offer a sci-fi epic to rival Jackson’s The Lord of the Rings. I’ll hold off on my judgement of whether it is succesful on that account until I’ve seen the (at the time of writing still uncertain) sequels – but I am already looking forward to Dune Trilogy movie marathons.
I have a lot more to say, but I think I should conclude by repeating that this movie looks absolutely stunning and you should go see it in cinema if you can to be blown away by the visuals and the deep reverberating sounds of space ship engines and worms tunneling through the sand.
I was conflicted about going to see this movie because I haven’t read the book yet. Still, there’s a certain kind of movie you really have to see on the big screen, and Dune is definitely one of those movies.
In many ways, Dune reminded me of The Lord of The Rings. This is old school science-fiction, which often means that the line between Science Fiction and Fantasy gets blurred. The only thing that really solidifies this as Sci-Fi is the space travel.
The reason I would really recommend seeing this in theatres (if you can) is because of the ~vibes. The soundtrack of this movie is really beautiful, and the sound design as a whole is really on point. The cinematography in this movie is also… chef’s kiss.
Dune is quite long, and I was pretty tired when we to see it. It never quite drags, though I must admit the ending was a little slow (but as I mentioned I was pretty tired and the end of the movie takes place at night so there was very little light to keep me awake).
All in all, I would really recommend checking Dune out, especially if you love (old school) Sci-Fi, but also if you’re not a huge fan of Sci-Fi, but you do really enjoy epic Fantasy stories, because that’s basically what Dune is.
As someone who thought Herbert’s writing was quite arduous, I had high hopes for the movie adaptation of Dune. Luckily, I was not disappointed. The movie fixed many things I struggled with in the books, such as the characterization of the protagonists and the suspense of the story. And, not unimportant, the movie delivers some truly stunning cinematography, as well as the radiant presence of Zendaya <3.
To elaborate on the cinematography; almost all of Villeneuve’s athmospheric shots contain symbolic meaning or little references to the book. Because I’ve read the book, I could really appreciate these little nods to the source material. However, Villeneuve also really takes his time with them, which results in quite a slow movie. I wonder if those who have no previous experience with the Dune-universe might find the pace forgivable. Personally, I thought it started te drag a little towards the end.
All in all, I think fans of the genre will be quite pleased with Villeneuve’s Dune. Others should just watch it at least once to marvel at the stunning views. And at Zendaya…
Surprising aboslutely nobody, I was not very entertained by Dune. Dune the movie PART ONE. This movie is not the whole story and nobody told me. My only expectation was to find out how the book ends. This expectation was not met. Ironically, the movie ended EXACTLY where I stopped reading the book, which was quite something.
I saw many angry men and a lot of sand. Since everyone around me was mesmerized by it, I felt like I watched a completely different movie. Which left me with the question: why? Why didn’t I like this movie?
The first thing I realised was that there was no real music. Sure, there are soundscapes and ambiances. By Hans Zimmer, nonetheless. But apparently I need more. Music is my language and Dune just cut out that whole part of the experience.
Something else that got on my nerves real fast were the many, very slow shots of ‘look at how much sand there is’. I’ve been to the beach before, I know what a lot of sand looks like. You’re going to show me again? Now I’m bored.
I never expected to be blown away by the storyline. It just feels like nothing is happening. I knew it wasn’t for me. But I hoped there would be some redeeming factors when watching the movie. I only found one: seeing the joy on Peter’s face. I was happy I got to experience this movie with him.
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- TV show created by Megan Nicole Dong for Netflix
- Starring Kimiko Glenn, Megan Hilty, Parvesh Cheena, Chris Diamontopoulos, Megan Nicole Dong, Jessie Mueller, Josh Radnor
- First Aired on July 30th 2021
- 1 season and running
Native to a war-torn world, Horse knows how to brave all kinds of danger, as long as she and her Rider are together. When an unknown magic separates them and banishes Horse to the colourful Centaurworld, she is determined to find her way back to her own world as quick as possible.
In this new strange lands, Horse has to build on her own strength and the help of a peculiar herd of centaurs to succeed. Shall she be reunited with Rider?
(This review only relates to S1)
Songs! Emotions! Chaos! Animation! If you’re looking for something unconventional and not too long, this is a fine series Netflix has created. I would describe Centaurworld as the love child of the random whacky storylines from Adventure Time and the emotional songs from Tangled: the Series. At first, it takes some getting used to, but when you just accept whatever is happening it is actually quite enjoyable. Casually throwing in seasoned Broadway stars like Kimiko Glenn, Renée Elise Goldsberry and Lea Salonga the performance of the songs in this musical series is sublime. And to be honest, they’ve got me waiting for the second season with anticipation.
Well, this series was an unusual ride…
In the first scenes, you’re thrown into a cool, grim fantasy setting with a corresponding art style and a hauntingly moving song sung by a warrior girl to her war horse. I thought I was hooked. Then the story abruptly brings you to the titular ‘Centaurworld’, a colourful and nonsensical world inhabited by bubbly centaurlike creatures. A stark contrast, to say the least.
It took me a while to adjust after the initial switch. Perhaps I was a little dissappointed I didn’t get to see more of the world promised in the first scenes. However, the premise of the story – a horse trying to find her way back to her rider – resonated enough with me to keep me watching. Also, there were well-sung songs, and that’s something I can always appreciate.
I’m glad I sticked with this series. Though the humor was not always my cup of tea – too random, abstract, or simply childish – there were also times I wholeheartedly chuckled. Furthermore, this series contains some sincere emotional character arcs and intriguing worldbuilding. In my opinion, the first season is stronger than the second, which seemed to lack any sort of coherency, except for in the finale. Also, I wasn’t necessarily a fan of season 2’s additonal characters.
The voice-acting of Centaurworld is truly excellent, and the same applies to the singing. Kimiko Glenn is just… wow; and there are many more great musical-talents (such as Renée Elise Goldsberry!?). As such, this series blesses as with a score of memorable songs, of which ‘The Nowhere King’ will always haunt me.
Those who ever enjoyed Adventure Time should give Centaurworld a try.
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- Book written by Susanna Clarke
- Published September 2020
- Standalone
The House in which Piranesi resides consists of innumerable halls whose walls are lined with thousands of statues. The tides sweep through these halls in a pattern only Piranesi can decipher. While he has forgotten many things, he knows this: the Beauty of the House is immeasurable, it’s Kindness infinite.
It’s not often that a Fantasy book wins a major literary prize such as the Women’s Prize for Fiction, but I am really glad that this was the case for Piranesi. It is a beautiful but unconventional novel which leaves you wondering for a long while what it is exactly that you are reading.
The book’s main strength is definitely the unique narrative voice of Piranesi himself. I was immediately charmed by him, and although I felt quite sorry for him in the beginning I soon started wondering whether this feeling was entirely warranted. I really love the way he is able to fit into and take care of the House. His descriptions of it make the House seem like more than just a backdrop for the story, but like a serene presence in its own right.
I enjoyed the mysterious atmosphere of the book so much that I felt almost reluctant to read on as the plot progressed and some of the riddles were solved. However, the ending was well worth it as it left me feeling bittersweet but hopeful, and very glad to have picked up this rather extraordinary book.
I really enjoyed this book. Robin recommended it to me after she reviewed it.
Piranesi is very hard to compare to other books. It’s deeply atmospheric and unpredictable. The first 100 pages or so, you’re just trying to get a sense of what’s going on. Normally this would bother me, because I don’t like to be confused. However, Susanna Clarke’s writing is so compelling that it didn’t bother me at all. It’s also not a super long book, and the pacing is just right.
It’s definitely not fantasy in the traditional sense of the genre, but it’s definitely worth reading!
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Recommendation: Animated Series To Watch With Your (Inner) Children
Looking for some animated series to watch with your (inner) child? See what our curator Jop recommends!
Review: Kodama – ActionPhase Games
Kodama is a card game where you take care of a tree by placing cards to grow its branches. By choosing cards with the right symbols, you collect points over three growing seasons. At the end of each season, one of the Kodama (tree spirits) will award you extra points based on how well you have chosen your cards to suit its needs.
October Update – 2021
An update of everything we’ve done in October 2021
Review: Dune: Part One – Denis Villeneuve
In Denis Villeneuve’s adaptation of the classic sci-fi novel Dune by Frank Herbert, Paul, heir of House Atreides, and his family receive orders to take control of the planet Arrakis, the rich desert world that produces the spice that allows for interstellar traffic, and take control of the fief from their arch-enemies, the Harkonnens.
Review: Centaurworld – Netflix
Native to a war-torn world, Horse knows how to brave all kinds of danger, as long as she and her Rider are together. When an unknown magic separates them and banishes Horse to the colourful Centaurworld, she is determined to find her way back to her own world as quick as possible.
Review: Piranesi – Susanna Clarke
The House in which Piranesi resides consists of innumerable halls whose walls are lined with thousands of statues. The tides sweep through these halls in a pattern only Piranesi can decipher. While he has forgotten many things, he knows this: the Beauty of the House is immeasurable, it’s Kindness infinite.