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Escape Velocity

A curated Collection of Fantasy and Science Fiction Media

Welcome to the Escape Velocity Collection!

We are an opinionated group of friends reviewing all sorts of fantasy and science fiction media. Don’t forget to get to know the curators and visit our curated Collection, where we discuss the stories that never cease to transport us to another world.

Will you escape with us?

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The grandmother of young genetic scientist Macallan Orsel is sick. Why? Well, that’s complicated, as Macallan soon finds out: her family is part of a group of immortals. Or at least they were, until a mysterious force started to threaten all immortals’ lives. And what’s more, Macallan seems to be the chosen one to fix it. She gets quickly entangled in a political and violent game between immortal rivalries and an American intelligence agency called The Blackdoor Group. If Macallan wants any chance to to save her grandmother – and the world – she needs to go to the headquarters of the immortals, Leviathan, hidden deep under the ocean.

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I think I listened to what has become the first ‘season’ of The Leviathan Chronicles around 2016, when the first episodes were already relatively old for a relatively new medium. But after episode 25 it just stopped. I was furious: did I pour my soul and all that time in a half-finished story? Agitatedly I googled what happened. I found a facebook post from just a month prior. The first post after years of silence. Production of the show had stopped because the wife of the maker got cancer. His passion project had to make way, of course. She passed away. My heart stopped. I was no longer furious. I only hoped he would finish his story. And he did. In 2020 he released the final episodes.


Despite that tragic and beautiful making-of story, The Leviathan Chronicles is not my favourite show. The acting is alright, the characters are fine, the story has an original enough premisse. But I wouldn’t call it layered with deep meaning or emotionally devastating. What it is, though, is fun. The Leviathan Chronicles is an adventure action movie, with chase sequences, gun fights, exotic locations and romance because, you know, a man and a woman were in the same place. Not your usual audio drama style, and I can appreciate that.

Will the story of this audio drama stick with me? No. Did I have fun? Yes.

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The worst climate predictions have come true and the earth has become inhabitable due to high levels of carbon emissions. Only 80 percent of humanity is saved in an underground safe place, chosen for their score in a mysterious point system on the basis of their ‘usefulness’. The rest of humanity was ‘sorted out’. In this place we follow Hannah Ori, who gets involved in the development of The Oyster, a virtual Nirvana. Participants in the development quickly get addicted to this world of bliss. But perhaps, that is the point?

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This review relates to the first season

I absolutely loved this audio drama podcast. I think it is the first cli-fi media I have consumed and it struck a chord with me. Post-apocalyptic has already been my jam, add climate change and technology-abuse to the mix and I’m all in.


But that’s not all. The podcast drew me into its world, introducing each element step by step, so you keep discovering more goings-on (sometimes alongside the protaganist). It discusses issues of race, class, and gender in a society where your worth is determined by your direct benefit to others.


In addition, it has excellent voice acting. And did I hear some influences on the sound design of horror podcast Darkest Night? At least I felt the same tingling of the spine when the theme of ministry leader Dolos Devlet sounded and I had to wait with fear and trepidation on his deep voice entering the conversation. Never a good sign.


I really hope there will be a next season that matches the quality of the first and lands the story capably after its last plot twist.

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Jöseph is a bounty hunter and top of his class – he thinks, anyway. He takes on a new task, but when it appears the money is not going to be worth it, he hesitates. Finally, his heart prevails and he takes on his most dangerous bounty contract yet: tracking down an evil terrorist named Opus, who is kidnapping more and more innocent civilians of the city of Polaris. Using his exo-skeleton tech called Auto-Machs Opus is planning to exact his final revenge – and Jöseph is the only one who can stop him.

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What a spectacle! If you ever wondered how a superhero movie would be if it was an audio drama; this is it. Joseph uses an impressive cinematic audioscape – although overwhelming at times. You feel like the space ships are flying just past your ears and you have to duck for the bullets.

 

So I can appreciate the audio design, but storywise… it is not my piece of cake. I was hyped when I heard the trailer(s), but it appears that this short sequence was the complete emotional core.The plot is straightforward: egocentric bounty hunter teams up with some nice people to solve a mystery and save a bunch of kidnap victims. The dialogue is snappy. Characters are clichés. Acting was alright.

Conclusion: well produced, not my kind of story.

 

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A high-school student stumbles upon an ancient curse that grants immorality, but there’s a catch: every full moon she must kill someone – anyone – or she’ll die. It doesn’t take long before she is watched with suspicion by friends, family and the police.

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Great & Terrible is a podcast in A.R. Olivieri’s characteristic style of super short episodes. The episodes alternate between poetic reflection and progress of the story.


For me, it is not the best Olivieri-podcast. I quite liked the contained stories of 2298 and The Easiest of All the Hard Things, but this one is too slow for me. I have the feeling it is less suitable to be told in snippets, because every time I lose track of where we are in the story. And then I remember: ‘Oh, we are still doing this.’ In addition, I don’t really like the main character and since her telling is 90% of the story… The ‘poetic reflection episodes’ are nice though, although I do regularly catch my thoughts wandering off while listening.


Yet, I keep coming back. It is still entertaining and I want to know how it ends. If it ends. And for 3 minutes each time, I can’t really not listen, can I?

 

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Twice-monthly radio host Cecil gives community updates for the small desert town of Night Vale, the place ‘where every conspiracy theory is true’. It is an anthology comedic horror series (the kind that has monsters and paranormal activity, but is not scary). Each episode has the same format: the radio host welcomes his listeners with a troubling intro and then reports on a strange event (the main part), interspersed with recurring radio segments like traffic or the children’s fun fact science corner (side dishes). When the story is at its peak, it is time for ‘the weather’ (a music number), after which the issue is resolved and Cecil tells how they narrowly escaped whatever was happening. Good night, Night Vale. Good night.

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As I think for many people, Welcome to Night Vale is the podcast that brought me into podcasts. In fact, it was Lotte who recommended it to me, repeatedly. Until finally I listened to the pilot episode on YouTube (first time podcast listener right there). After 5 minutes, I was sold. The way this podcast makes the absurd and the unsettling mundane is wonderful. I’ll give one example from the pilot (paraphrased):

‘The city council announces the opening of a new dog park. They would like to remind everyone that dogs are not allowed in the dog park. People are not allowed in the dog park. It is possible you will see hooded figures in the dog park. Do NOT approach them. Do NOT approach the dog park. Do not look at the dog park, and especially do not look for any period of time at the hooded figures. The dog park will not harm you.’

I stepped in, I think, during the second year of this show, maybe even a little bit earlier. Since then, I have dutifully listened to every episode. I went to two live shows and follow/have followed much of the other work of creators Joseph Fink and Jeffrey Cranor. I think you might call me a fan.

Yet, the charm of Welcome to Night Vale has worn off a little bit for me. I do still ‘like’ the episodes, but I rarely ‘love’ them. I find myself melancholically looking back at the first seasons, when the world felt fresh, the humor unexpected and the characters new and exciting and strange.

The podcast started with stand-alone episodes, but as the podcast grew, the world developed and an overarching story was woven through the episodes. I loved that! Unfortunately, at some point  the creators chose to go to an anthology format. Although I understand the choice – I think it makes sense for the format, the popularity (it is easier to just start listening with the latest episode), and I can imagine it makes it easier for the creators to do other things while still making Night Vale ‘in between’ – but for me, the overarching story deepened the show considerably.

Nevertheless, every two weeks Night Vale keeps entertaining me with its strange stories and beautiful cast of characters. And as long as the episodes keep coming, I will listen.

Favourite episode: ‘A Story About You’.

Shout out to: John Peters (you know, the farmer?), the man that is not short and the man that is not tall, (doppelgänger) Dana, Hiram McDaniels the five-headed dragon, the angels called Erica and The House That Doesn’t Exist. It seems like it exists, like, it’s just right there when you look at it, and it’s between two other identical houses, so it would make more sense for it to be there than not. But it does not exist.

I started listening to Welcome to Night Vale when it was big on Tumblr. Yeah.

I was part of the WTNV fandom back when it was at its peak. I went to their first international Live Show, though I must admit that by the time they returned for a second tour, I had fallen somewhat out of my listening habit.

I haven’t listened to any of the more recent episodes, but that really doesn’t matter for this review. If your question is “should I listen to Welcome to Night Vale” the answer is an unequivocal “yes”.

Writing this, I feel tempted to go back and relisten to the show, as I’m finding myself at a loss for words to describe how great WTNV is. I won’t do that, because I know that if I start one episode, I’ll just want to keep listening. This show is deeply atmospheric and weird, with narration by Cecil Baldwin that is perfect for the calm yet weird tone of the podcast.

The most important thing to remember when starting this show is to start at the first episode. In each episode, you learn a little more about Night Vale and its inhabitants. Sometimes it makes sense in a weird way, and other times things will come completely out of the left field.

If somehow you haven’t listened to Welcome to Night Vale yet, and you’re looking for a new show to dive into, give the first episode a listen. I promise you will not be disappointed.

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Alien is a science fiction horror film. Halfway their trip back home, the crew of the commercial space tug Nostromo is woken from their cryosleep by a mysterious transmission from a nearby meteorite. They decide to check it out and a small party discovers an old stranded spaceship and a field of alive eggs. Should they touch one of them?

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Some media ages a lot better than others.

Generally speaking, visual media, like video games or movies, get the short end of the stick, as new technology surpasses old technique, and practical effects but especially CGI end up looking outdated. Speculative fiction tends to suffer even more, as made up elements need to be brought to the screen by exactly those techniques that are prone to aging.

Then, some media seems miraculously excepted from that rule.

Alien is another one of those films where it sometimes feels like the most outdated element on screen is Sigourney Weaver’s haircut. The effects stand the test of time incredibly well, despite being over four decades (!) old at this point.

I find it especially interesting to compare Alien to other classic science fiction films. For example, Alien was released in between A New Hope and The Empire Strikes Back, and though Alien is of course a lot more modest in scope than Star Wars, I think the difference is striking. Of course, you can still watch Star Wars and I am not saying those are bad movies; but as a viewer I feel like I am constantly reminded of how different those Star Wars-movies would look if they were made today. A movie like Total Recall, which premiered in 1990, eleven years after Alien, and was one of the most expensive productions ever at that time, looks laughably bad when compared to it.

The decisions to keep the film almost entirely confined to the limited crew rooms and cramped and steam-obscured service passages of the Nostromo, and to keep the antagonist hidden for the better part of the script, help immensely in both maintaining suspension of disbelief after forty years, as well as ratcheting up the claustrophobic horror as the crew transition from hunters to hunted. In fact, most of the moments where you can immediately tell you are not watching a movie that came out yesterday are the shots outside of the space ship, or where the titular alien is in plain view.

So the film doesn’t look its age. But is it any good?

Definitely! As I said, the tension in this movie runs really high, also because filmmakers of the past were happy for a slower development than today’s audience is used to. Despite the pace, it has your hart beating and adrenaline pumping all the time. The cast is great, the visual style is great, sound design is great, the script is great. As a horror movie, it has some of the same tropes all horror movies fall victim too, though this movie does have some plot explanations for less-than-optimal decision making. Overall, I would recommend Alien to basically anyone that can stand a horror movie.

There is a lot more to say about Alien– its gender-neutral casting, its completely outdated future technology that sparked cassette futurism, why did Ripley need to take her clothes off, the fact that Alien (at least partially) spawned out of the wreckage of Alejandro Jodorowsky’s failed attempt at a Dune-adaptation – but you don’t need all that for a review. If you haven’t seen it yet, go watch Alien – it’s rightfully a classic of the genre.

The first time I saw this movie was with my father. He was a huge fan of the alien franchise, especially of the first two movies, and it would not surprise me if he has had a Ripley-poster above his bed when he was young. I loved the thrill of this horror movie with its heartbeat-score and flickering, disorienting lights, crawling under a blanket and against the safe body of my father.

When I watched this movie recently, I was afraid my nostalgic memory of it would fade and make way for a sober view of a decent, but dated movie. But I was wrong! It held up way better than expected! It was slow-paced, as many films of more than 40 years old feel, but it suited the film. From the first scene on the tension established, the camera slowly panning around while the music made unmistakably clear something ominous would happen. Yet, technically nothing problematic happens for the first hour or so. We get the time to get to know the characters with no one clearly being the main character. And even when they meet the alien, they still have not passed the point of no return. And then, finally, shit goes down.

Just a side note to end this review: it is always fun to see how old movies imagine future technology. As for Alien, it apparently could imagine humanity flying huge distances in space with massive mining ships, but we would still have tiny computer screens with MS-DOS interface and terrible quality video and sound transmissions. And an incredible amount of steam!

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Review: Fallout – Amazon Prime

The bomb has gone off, but that doesn’t mean civilisation has to collapse. Deep underground, life goes on for a select few in the Vaults. 219 years later, Fallout follows Lucy Maclean, who has grown up with all the luxuries 1950’s life has to offer. After an incident in her vault, she ventures out into the wastes where she discovers what nuclear radiation has done to the people of America, in both mind and body.

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Review: Spiderlight – Adrian Tchaikovsky

A group of adventurers sets out to defeat the Dark Lord – meticulously following each of the steps foretold by the prophecy. The adventurers’ relationships are tested and their faith in the Light is challenged when their quest requires them to welcome a new member into their party. A creature of the Dark, transformed, bound to help them – but a creature of the Dark nonetheless. But if Darkness helps to fight Darkness, and the Light does not always shine so bright – where does that leave the quest, and what does the ever-lasting war between Light and Dark mean?

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Review: Shadow and Bone – Leigh Bardugo

Alina is an orphan who serves in the Ravkan army as a cartographer. Together with her childhood friend Mal, she is sent on a ship through the Shadowfold, a rift populated by monsters. As the ship finds itself attacked by the terrifying creatures that live in the fold, Alina discovers she has a rare gift that makes her very powerful but also places a target on her back.

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Review: The Graveyard Book – Neil Gaiman

Nobody Owens, Bod for short, orphaned as a toddler, grows up in a graveyard, raised by the dead in a cosy mausoleum. His vampire guardian brings him food, teaches him, and protects him from any threats from the world of the living. Though the world outside the graveyard is foreign and odd to Bod, as Bod grows up and makes friends, his urge to learn what is out there becomes difficult to resist. But he was not orphaned without motive, and he lives with the dead in the graveyard for a very good reason…

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Review: A Canticle for Leibowitz – Walter M. Miller Jr.

A collection of three short stories set in a post-apocalyptic world, A Canticle for Leibowitz follows the story of the abbey of the Albertian order of Leibowitz. The monks of the order are the guardians of a collection of pre-war scientific texts that their patron saint Leibowitz saved from the chaos and anger following the so called flame deluge. As time progresses, society is rebuilt, the scientific texts are again understood, and humanity falls into old patterns.

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Review: Moon – Duncan Jones

Sam Bell is nearing the end of his three-year contract as the single crew member of a mining base on the dark side of the moon. Due to an outage in the communications equipment, he has been unable to contact either his family or his employers live. With only an AI assistant for company, he feels like he is slowly going insane from loneliness. When his lunar rover crashes, however, things take a turn for the worse.

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